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      <image:caption>My project, a comic strip starring Patrick the 23-Year Old (a childrens’ soccer coach and aspiring hairstylist), a Shakespearean defendant, and more, demonstrates my understanding of material that I have drawn from both our study of law and our study of Shakespearean writing. "In my comic strip, Patrick the 23-Year Old gets summoned for jury duty for the battery trial of Shakespearean actor Sir Kendall Branaghan, who is being sued by actor Daniel Coolledge for throwing a book at the latter on the set of a movie they were making. Branaghan attempts to defend himself by claiming that his intent was to hit a bird, not Coolledge, and that someone who would defend himself using iambic pentameter could only be innocent. However, Coolledge’s lawyer, David Leaseholder, proves otherwise with actual law knowledge, witness testimony, video evidence, and correct usage of iambic pentameter. That somewhat sums up (rimshot) the plot of my comic strip for you."</image:caption>
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      <image:caption>"In my graphic novel my characters, Misty, Harvest, Eclipse and Erebos discuss different endings to one of Shakespeare’s tragedies, Antony and Cleopatra. Also, they talk about Shakespeare’s comic and tragic characters and apply the conditions of humor to them. They also compare the humor in Shakespeare’s time to humor in the 21-century using the theories of comedy."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1654958560248-F7HYTOCUQ601OSV6KTEZ/Lydia--Antithesis.png</image:loc>
      <image:title>Home</image:title>
      <image:caption>The assignment: make visible the tools of expression we’ve been studying when reading Shakespeare and other great writers. Lydia’s expressive, thoughtful pair of paintings enacts antithesis in many ways. As she explained in her oral presentation of her work, the left-side depicts “iamb,” the metrical foot often associated with the heartbeat, and which, etymologically means "to step," (which she depicted with a relatively leisurely heart rate). By contrast, the trochee is an inversion of the iamb (the heart is inverted, and defined by negative space surrounded by dappled green, red's opposite on the color wheel). Etymologically, "trochee" means "to run," thus elevating the pulse.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1685568135363-MRCTBCTTJSA8BEV0RI0M/Lydia+and+Finn+Cards.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1654873646734-KZWZPB4G9WJMNZ1EJO6I/18.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1654873635011-MFTT3X3OAR3T5ZBOZDPP/1.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4e80f6b0-d2f1-4fcd-864d-eca46b622537/Screen+Shot+2022-06-09+at+4.18.04+PM.png</image:loc>
      <image:title>Home - “There is an excitement about what is learned and how they learned it.”</image:title>
      <image:caption>— Filena Cox, Star-Splitter parent</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f4feade7-de80-486d-bc40-af97335e983c/Screen+Shot+2022-06-09+at+4.18.14+PM.png</image:loc>
      <image:title>Home - “There is a sense of trust. The students feel safe with each other.”</image:title>
      <image:caption>— Tonia Burk, Star-Splitter parent</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a8454c8f-25f7-46d9-b76d-94f917c99120/Final+Slides+for+FB+and+Instagram+Ad--December+24%2C+2022+copy.001.jpeg</image:loc>
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      <image:title>Our Team - Sanda Moore Coleman CO-FOUNDER / TEACHER</image:title>
      <image:caption>Sanda Moore Coleman holds a B.A. in poetry and an M.F.A. in fiction from WSU. She has been a working writer and editor for more than thirty years, including stints as a feature writer and voice talent for Cityline at Brite Voice Systems; a music reporter in Philadelphia; an assistant editor for Image journal; and the Arts &amp; Community editor for The Martha's Vineyard Times. For five years, she provided theatre commentary for KMUW (her program, On Stage, was heard biweekly), and is the founder of The Wichita Fringe Festival, which stages work created by high school writers in the Wichita area. Her poetry has appeared in a number of literary journals, including Tar River Poetry, Midwestern Gothic, Ekphrastic Review, and Alternating Current Press. She has won prizes in poetry and fiction from Kansas Voices, and in 2011, she won the Maureen Egen Prize in Fiction from Poets &amp; Writers magazine. She has appeared on numerous stages in the Wichita area, including The Wichita Center for the Arts, The Scottish Rite Center, Wichita Community Theatre, and the Kechi Playhouse. Favorite roles include Gertrude in Hamlet, Hannah in The Night of the Iguana, and Hannah in Arcadia. She has played both Laura and Amanda Wingfield in The Glass Menagerie, and had the pleasure of portraying Nola Foulston and Bonnie Bing in The Wichita Center for the Arts’ staging of Radiating Like a Stone. Her teaching experience began in graduate school; she has also served as a Harvard teaching fellow and an involved mother.</image:caption>
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      <image:title>Our Team - Bill Coleman CO-FOUNDER / HEAD OF SCHOOL</image:title>
      <image:caption>Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park.</image:caption>
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      <image:title>Our Events - The Star-Splitter Homecoming Party 2021</image:title>
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      <image:caption>Star-Splitter Juan Garcia won First Runner-up at the 2023 Poetry Out Loud State Competition in Topeka, KS.</image:caption>
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      <image:caption>Lydia designed the plunger part of her invention using a found stone and a bit of sidewalk.</image:caption>
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      <image:caption>She then designed the part using SCAD, an open-source computer-aided design program.</image:caption>
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      <image:caption>Then she utilized an open-source 3D slicing program to translate the SCAD file into layers that the 3D printer can print.</image:caption>
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      <image:caption>Hot off the printer!</image:caption>
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      <image:caption>Fits perfectly into the repurposed monoject syringe!</image:caption>
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      <image:caption>Lydia then added an unused otoscope tip to end of the syringe. The class appreciated how she utilized the 3D printer's cutting-edge extruder to make a hand-driven extruder, which she filled with a hand-made modeling clay made of recycled paper, cobwebs, knotgrass, and other found materials, which she then shaped into a beautiful blue bowl.</image:caption>
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      <image:caption>"Do you ever have random medical tools lying around your house, like a monoject syringe and unused otoscope tip? You don’t want to throw them away, but you don’t want to look like a hoarder. Well, you can 3-D print a plunger, find some o-rings that fit it and put your tools together to make this. Now you have an extruder! But what do you use it for? Frosting? No, that would be unsanitary. Some of this has been sitting in a basement for years. You could use it for paper. Paper pulp could be sculpted and extruded into things that don’t break when you drop them and are perfect environments for mold when they are wet. If you use enough recycled paper it might even make your recycling bin easier to drag to the curb."</image:caption>
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      <image:caption>"How do you make this paper pulp? You get an old blender and fill it with your ingredients. Paper is the main ingredient; you can use anything: junk mail, old newspapers or embarrassing photographs. You can also use weeds from your yard and other biodegradable plant life. You can put all sorts of things in this mixture! I made this bowl using my extruder, a plaster mold and a homemade paper mix. The mix is a secret recipe, but I'll tell it to you anyway: Several grocery lists on purple halloweeny paper, newspaper, purple paint, dryer lint, cobwebs, dog fur, dead bugs, and plants. (The plants were clover, knot grass, kale and leaves.)"</image:caption>
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      <image:caption>"Overall this invention is unique and unusual. I am saying this for three reasons: I’m allowing myself to boast, I’ve not seen anything like it, and I don’t see many people working with old medical tools and paper pulp."</image:caption>
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      <image:caption>The assignment: create visual art that makes visible the tools of expression we’ve been studying, i.e. allusion, antithesis, anaphora, assonance, alliteration etc. Arora, who is in ninth grade, made clay models of Plato and Aristotle, from Raphael's The School of Athens, in order to depict antithesis and allusion. She placed the figures in a natural setting, one that retained the visually-echoing archways of the original Raphael work. As she explained in her oral presentation of her work, the figures of Plato and Aristotle represent differing views, ones that contrast in their ultimate focus: an ideal world of forms as opposed to the sensory world of Earth. She then added that, since Raphael himself was using these figures' gestures to allude to those contrasting philosophies, and since she (Arora) was alluding to Raphael's work by sculpting only those two figures (out of dozens in the original), her work was, essentially, "an allusion of an allusion."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1655074706058-3UO0T94O6JNPR50FWCG9/Lydia--Antithesis.png</image:loc>
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      <image:caption>Lydia’s expressive, thoughtful pair of paintings enacts antithesis in many ways. As she explained in her oral presentation of her work, the left-side depicts “iamb,” the metrical foot often associated with the heartbeat, and which, etymologically means "to step," (which she depicted with a relatively leisurely heart rate). By contrast, the trochee is an inversion of the iamb (the heart is inverted, and defined by negative space surrounded by dappled green, red's opposite on the color wheel). Etymologically, "trochee" means "to run," thus elevating the pulse.</image:caption>
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      <image:caption>"I have used a styrofoam head to house my model of the brain, highlighting the prefrontal cortex, the cortex, the hippocampus, the amygdala, and the suprachiasmatic nucleus. "I have portrayed each section as a room with a person at a task." --Arora</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1655088231953-8ANQH5YV567Z0GX726S5/Arora-1.jpg</image:loc>
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      <image:caption>“I have used a styrofoam head to house my model of the brain, highlighting the prefrontal cortex, the cortex, the hippocampus, the amygdala, and the suprachiasmatic nucleus. I have portrayed each section as a room with a person at a task. ”First, my sculpture demonstrates my understanding of material drawn from our investigations into sleep. With my sculpture, I have demonstrated how, during REM sleep, the prefrontal cortex and amygdala's communication is “cut off”. I have made this literal by representing their communication as a disconnected soup can telephone.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1655088232436-DD14ZDRFVGLL0HRGYJM2/Ian-Comic+Strip.jpg</image:loc>
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      <image:caption>"My project, a comic strip starring Patrick the 23-Year Old (a childrens’ soccer coach and aspiring hairstylist), a Shakespearean defendant, and more, demonstrates my understanding of material that I have drawn from both our study of law and our study of Shakespearean writing. "In my comic strip, Patrick the 23-Year Old gets summoned for jury duty for the battery trial of Shakespearean actor Sir Kendall Branaghan, who is being sued by actor Daniel Coolledge for throwing a book at the latter on the set of a movie they were making. Branaghan attempts to defend himself by claiming that his intent was to hit a bird, not Coolledge, and that someone who would defend himself using iambic pentameter could only be innocent. However, Coolledge’s lawyer, David Leaseholder, proves otherwise with actual law knowledge, witness testimony, video evidence, and correct usage of iambic pentameter. That somewhat sums up (rimshot) the plot of my comic strip for you." --Ian</image:caption>
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      <image:caption>"In my graphic novel my characters, Misty, Harvest, Eclipse and Erebos discuss different endings to one of Shakespeare’s tragedies, Antony and Cleopatra. Also, they talk about Shakespeare’s comic and tragic characters and apply the conditions of humor to them. They also compare the humor in Shakespeare’s time to humor in the 21-century using the theories of comedy."</image:caption>
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      <image:caption>Our production of Much Ado About Nothing was performed at the Guild Hall Theatre in 2018. The show was set in the present moment while staying true to the Elizabethan text. We celebrated the joyful exuberance of the play, without backing away from the tragic Hero/Claudio plot that's nested inside the comedy.</image:caption>
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      <image:caption>In 2018, my wife and I created The Wichita Fringe Festival, an annual, one-day theatrical event that celebrates the work of local high school playwrights. Working with professional mentors from the Wichita theatre community, playwrights from schools throughout the city take their scripts through the process from stage to page, culminating in a performance of their works by area high school actors.</image:caption>
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      <image:caption>As part of our drama class in 2016, three students ranging in ages from 14-17 performed The Cure at Troy in the Friendship Garden that our school shared with Friends University. Seamus Heaney's version of Sophocles' Philoctetes, the play is set during the Trojan War and centers on a famed Greek archer. Having been marooned by his community because his illness was a distraction, he must learn how to trust again.</image:caption>
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      <image:caption>ARTHUR MILLER: After I’d done “All My Sons,” which was, of course, in a straightforward, realistic form, I got the feeling that I could start to tread new territory, that here was a kind of play which would allow me to treat time concurrently. I think we all think on two, three, or four different levels at the same time.... I thought, Wouldn’t it be marvellous to be able to do a play where somebody is in two or three different places concurrently." (Photographs by Dan Overholt)</image:caption>
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      <image:caption>In 2015, my drama students and I decided to create and stage a production of A Midsummer Night's Dream as a fundraiser for the Wichita Community Theatre. We raised $1500. The photo above was one of the moments of joyful discovery in rehearsal: we called this "the sadderpillar." It's when the mechanicals enter fearing that Bottom and their company's chance to perform for the Duke have been lost forever.</image:caption>
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      <image:caption>Our goal was to create a truly unsettling production Macbeth, one that did justice to the dark rhythms of the text. We also sought to foreground a second tragedy within the story: the dissolution of a marriage. Our reading of the text revealed the close, nearly supernatural link Lady Macbeth and Macbeth share when the play begins.</image:caption>
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      <image:caption>The Wichita Center for the Performing Arts, 2018. Featured Event, The Big Read, Wichita (Emily St. John Mandel’s Station Eleven) An original hour-long show, employing a cast of eight actors, that tethers Shaesperean scenes and monologues to characters and events in the novel.</image:caption>
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      <image:caption>When Love Speaks, an evening of thematically linked Shakespearean scenes and monologues chosen and edited by William Coleman and Sanda Moore Coleman, was performed in 2012 at The Scottish Rite Signature Theatre.</image:caption>
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      <image:caption>The show opened with a musical-theatre style dance number to "Sing, Sing, Sing" (a post-war tune) in order to underscore the excitement the townspeople felt as they gathered to hear the news of Don Pedro's approach. We considered the dance as form of Shakespeare's heightened speech: when emotion breaks the bounds of prosaic life, form is intensified.</image:caption>
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      <image:caption>Though set in our time, our production of Hamlet was also set within a cycle of violence that has run through centuries, where one generation's violence creates the conditions for another's, where revenge is expected, where even a dead father retains the power to charge his son to shed another’s blood. It is a culture of violence both overt and casual, where women are objects to be shaped by men’s words and plans, used and then forgotten. (Photographs by Dan Overholt)</image:caption>
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      <image:caption>Student writers are paired with adult professional mentors in the areas of writing, acting, and directing. Students hone their written work, cast their shows from auditions that attract students from throughout the local area, and direct those shows. The plays are then performed for the public.</image:caption>
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      <image:caption>The students designed and created the costumes and the set. Capturing the symbolic nature of island, the students conceived of Lemnos as a kind of bandage, a dressing for a wound.</image:caption>
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      <image:caption>The students created the props and designed the costumes.</image:caption>
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      <image:caption>The play opens on a blood-soaked battlefield, which the witches peel back to reveal a dark circle.</image:caption>
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      <image:caption>The show opened with beloved local theatre legend Dick Welsbacher delivering Hamlet's advice to the players on an empty stage.</image:caption>
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      <image:caption>A final rehearsal of the show's closing number: "Carolina in My Mind"</image:caption>
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      <image:caption>The venue for the performances changes each year, and has included The Fisch Haus and The Wichita Center for Performing Arts.</image:caption>
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      <image:caption>Madeleine was the chorus, who at the drama's end, becomes the voice of Hercules as a volcano erupts.</image:caption>
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      <image:caption>A large measure of the joy that comes of directing young people is to see students of different ages engage in serious play together.</image:caption>
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      <image:caption>While on the battlefield, Macbeth had told the stars to "hide your fires." When first we see Lady Macbeth, she unconsciously echoes her husband's imagery, wanting heaven not to "peep through the blanket of the dark." As though summoned, her husband appears before her, returned from war.</image:caption>
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      <image:caption>Jazz vocalist Anna (Hetherington) Christensen told the story of coming to love vocal music and the art of improvisation before singing a joyful and inventive version of "The Way You Look Tonight."</image:caption>
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      <image:caption>Set against the cycle of violence to which Hamlet is heir is the communal, universal, joyful work of the imagination, dramatized by The Players, who entered with a spell-casting three-part a cappella drone that spiraled into hints of Sondheim and Irish folksong.</image:caption>
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      <image:caption>Trailing lava, the chorus/god takes away the island Philocetes had come to know through pain and exile. He must finally leave his space of wounding in favor of trust and reconciliation.</image:caption>
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      <image:caption>Over the course of the play, Macbeth spirals closer and closer to the dark heart of the circle. When he reaches it, he dies.</image:caption>
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      <image:caption>We playfully dramatized the rivalry between Don John and Don Pedro in terms of popular culture. When first we see the conquered Don John, he is wearing a Beatles Let it Be t-shirt, just like his brother wears.</image:caption>
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      <image:caption>The show brought together generations of local talent. In this scene, local theatre veteran Danette Baker shows student performers "how sweet the moonlight sleeps upon this bank."</image:caption>
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      <image:caption>Actor Quinn Warren talked about being drawn to theatre in high school by The Night Thoreau Spent in Jail and then discussed the life he found in Shakespeare's language, and its ability to transcend time.</image:caption>
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      <image:caption>"The play, I think, is suffused, oddly enough, with hope. Everybody's full of hope! All the time. As well as dread." --Arthur Miller, on Death of a Salesman</image:caption>
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      <image:caption>When he is finally alone with his henchmen, he reveals his true nature in a monologue, during which he reveals a hidden shirt that he wears beneath his brother's: The Beatles' Let it Be gives way to The Rolling Stones' Let it Bleed.</image:caption>
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      <image:caption>After Henry V rallies his troops for war, a mother questions the war's justice.</image:caption>
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      <image:caption>"'You're like Nick Drake, except on piano!' my friend told me. I wasn't sure what that meant!" --Singer/songwriter Justin Meyer on a song that opened his world: Nick Drake's "From the Morning." He then played a beautiful piano arrangement of Drake's classic Pink Moon track</image:caption>
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      <image:caption>We cast young adults in many of the main roles, including Benedick and Beatrice, and sought contemporary analogues for moments in the Elizabethan text, such as conceiving of Dogberry and his volunteer band of crime-fighters as members of a neighborhood watch that had been promoted to the status of Prince's Watch...</image:caption>
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      <image:caption>Then Amy Shelden stopped time with a soaring Portuguese Fado, after which Anna Hetherington sang and scatted "Je Veax" by contemporary French songwriter Zaz, as Amy and Dr. Parker created a climate of joy with their voices, movements, and a simple drum.</image:caption>
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      <image:caption>Beatrice and Benedick read each other's notes.</image:caption>
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      <image:caption>"My dad had three songs that weren't classical. The Sultans of Swing by Dire Straits. Bohemian Rhapsody by Queen, and Blackbird." --Musician Dan Overholt on finding the song that bridged the gap between classical music and pop: Paul McCartney's "Blackbird." Dan then played and sang a hauntingly legato version of the song on the cello.</image:caption>
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      <image:title>Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/e52a9195-aafd-41fe-88d0-418a10a4e18e/i-9rtBfhJ-X5.jpeg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>...or underscoring the watch's wonderfully childlike enthusiasm by having them use a child's flashlight as their lantern....</image:caption>
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      <image:title>Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/bdefac32-b4b4-4781-8a83-53d151b55fcd/Screen+Shot+2023-07-03+at+5.05.35+PM.png</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>We noted in our readings of the text how playful, happy, and even reverent Hamlet becomes when in the presence of the Players. Their songs and scenes allow for an expression of rage and grief and longing that connects people, rather than isolating or injuring them. Arthur Miller once wrote that tragedy arises when we are in the presence of someone who has missed accomplishing their joy. We tried to communicate that idea.</image:caption>
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      <image:title>Coleman</image:title>
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      <image:title>Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/da36955e-b6ef-4b6e-9028-7f20c8acb169/1.jpeg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>One of the cycles of violence in Hamlet: a dead father commands his son to kill. In our performance, the ghost literally puts the dagger in Hamlet's hands, as though completing a circuit (we had noticed in the text early in rehearsals how the encounter with his father jolts Hamlet with energy). A kind of violence enters him.</image:caption>
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      <image:title>Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/b3b1b77b-eebd-4594-ad14-c4e25932f81d/i-Zh6Lvpd-X5.jpeg</image:loc>
      <image:title>Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f37d2211-9f98-4cf4-a06e-75d7a27b9dfb/DSC02554.jpg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>...or dramatizing Benedick's sudden and full-throated embrace of emotion by having him lip-synch to a Smiths song.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/cc07b125-97e2-48a9-a399-48a4f43ad106/4.jpeg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>Hamlet's powerful imagination, thrust into the cycle of violence, takes physical form in certain moments of our production. Here, he imagines killing Claudius as the latter prays.</image:caption>
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      <image:title>Coleman</image:title>
      <image:caption>The cycle of violence continues its course when Hamlet commands his cohorts to swear allegiance upon the father's dagger.</image:caption>
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      <image:title>Coleman</image:title>
      <image:caption>We based the choreography of the masked-ball on that of the classic Muppet Show sketch "At the Dance" (in which couples wheel into the foreground, deliver jokes, then wheel away), after noting how the two scenes bore structural similarities. All of this was set to a live piano-and-bass rendition of the song that plays in the Muppet Show sketch.</image:caption>
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      <image:caption>"We are the only love gods!"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3cfdb25a-380e-49da-ba54-ea240b2d3023/closet1.jpeg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>We also noted in our early close readings of the play how often female characters are isolated, or appear onstage without words, or whose words are reported by men, or whose actions are directed by men. Our production highlighted these power dynamics. Here, Gertrude waits for her son.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6e4799fe-ddb3-49bf-8fc1-082225767ea4/closet5.jpeg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>We also highlighted the close bond the text reveals concerning Hamlet and Gertrude.</image:caption>
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      <image:title>Coleman</image:title>
      <image:caption>The actor playing Dogberry noted how many religiously charged words Shakespeare includes in the character's dialogue. This informed his choices in terms of vocal delivery; he often spoke as if he were a wildly confident and inept preacher.</image:caption>
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      <image:title>Coleman</image:title>
      <image:caption>The song "It is Only a Paper Moon" is sung three times in the production, as its theme--the power of artifice and theatricality ("it wouldn't be make-believe if you believed in me")--infuses the plot of Much Ado. This power is used in the gulling scenes to bring Benedick and Beatrice together.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a4eef859-8395-443a-a813-0da21f811698/Hamlet+Photos+7-23+%285+of+27%29.jpg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>The fall of Ophelia is a tragedy equal to Hamlet's. We began to dramatize this by showing her joyful, playful spirit we first we meet her. She is arranging the flowers we imagined Hamlet had sent her, humming a light tune and reading the note that accompanied the gift.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/56cf7b26-43de-455a-a674-a08b6b016f6b/Screen+Shot+2023-07-04+at+1.59.48+PM.png</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>This theme is seen in tragic light in the Claudio and Hero plot. Claudio rejects Hero after being deceived by Borachio's act of artifice and theatricality.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3f7ce234-e304-4c7b-b25b-eb957c70fc24/Hamlet+Photos+7-23+%2810+of+27%29.jpg</image:loc>
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      <image:caption>She is confident and witty, bantering with her brother.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/bcc5dae4-a6d3-4a45-9466-3fb0602da874/Screen+Shot+2023-07-04+at+1.50.17+PM.png</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>At the end of the play, Hero returns, bearing the bright paper moon from their ruined wedding.</image:caption>
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      <image:caption>Soon she will be forced into serving her father's political ends, her identity effaced.</image:caption>
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      <image:caption />
    </image:image>
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      <image:title>Coleman</image:title>
      <image:caption>Polonius finds Hamlet's note with the flowers, violating his daughter's privacy. He quickly conceives of the genuine expression of love as evidence he can use.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4a82cc46-0790-4bd9-8cfd-b4341935d5af/Screen+Shot+2023-07-04+at+1.51.21+PM.png</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>In an act of theatricality, Hero tears away the paper surface of the moon, tears away the artifice.</image:caption>
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      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4c7113e1-1422-438c-93b2-a70dcf8eecb6/Hamlet+New+Export+1-6-21+%282+of+30%29.jpg</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>When he triumphantly presents the note to the king, the second quarto tells us that Ophelia is in the room, though has no lines. She must be a mute witness to her father turning her relationship with Hamlet to his advantage.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/8a8ea6db-723f-4c99-aa3a-3eabac6e9bec/Screen+Shot+2023-07-04+at+1.52.34+PM.png</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>They can see one another more clearly, and make a vow based on that true sight.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f36849c5-b806-46e8-ae9a-935489afab21/Screen+Shot+2023-07-04+at+12.36.47+PM.png</image:loc>
      <image:title>Coleman</image:title>
      <image:caption>When Claudius says that "madness in great ones must not unwatched go," the moment was charged with tragic irony in our production, for there, on the other side of the stage, alone, having been made into a prop in a power play between Hamlet and Claudius and Polonius, was Ophelia, unseen, except by us.</image:caption>
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    <image:image>
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      <image:title>Coleman</image:title>
      <image:caption>We wanted the show to be as densely layered with bits and jokes as possible. For example, the letters that are brought out at the end to reveal Benedick and Beatrice's secret feelings for each other were imagined in our production to be two white boards, upon which each lover has composed one half of Shakespeare's sonnet 18.</image:caption>
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      <image:title>Coleman</image:title>
      <image:caption>The flower imagery returns in Ophelia's final scenes.</image:caption>
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      <image:caption>Often productions of Hamlet reduce the gravedigger scene to one actor. When we read the texts, we found a great--and very funny--double-act in the banter between the two diggers.</image:caption>
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      <image:caption>We utilized a chiaroscuro effect in our lighting design to lend weight to the spareness of our production.</image:caption>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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      <image:title>Madi Coleman</image:title>
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    <image:image>
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      <image:title>Madi Coleman</image:title>
      <image:caption>The Wichita Center for the Performing Arts, 2018. Featured Event, The Big Read, Wichita (Emily St. John Mandel’s Station Eleven) An original hour-long show, employing a cast of eight actors, that tethers Shaesperean scenes and monologues to characters and events in the novel.</image:caption>
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    <image:image>
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      <image:title>Madi Coleman</image:title>
      <image:caption>When Love Speaks, an evening of thematically linked Shakespearean scenes and monologues chosen and edited by William Coleman and Sanda Moore Coleman, was performed in 2012 at The Scottish Rite Signature Theatre.</image:caption>
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      <image:title>Madi Coleman</image:title>
      <image:caption>As part of our drama class in 2016, three students ranging in ages from 14-17 performed The Cure at Troy in the Friendship Garden that our school shared with Friends University. Seamus Heaney's version of Sophocles' Philoctetes, the play is set during the Trojan War and centers on a famed Greek archer. Having been marooned by his community because his illness was a distraction, he must learn how to trust again.</image:caption>
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      <image:title>Madi Coleman</image:title>
      <image:caption>In 2015, my drama students and I decided to create and stage a production of A Midsummer Night's Dream as a fundraiser for the Wichita Community Theatre. We raised $1500. The photo above was one of the moments of joyful discovery in rehearsal: we called this "the sadderpillar." It's when the mechanicals enter fearing that Bottom and their company's chance to perform for the Duke have been lost forever.</image:caption>
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    <image:image>
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      <image:title>Madi Coleman</image:title>
      <image:caption>Our production of Much Ado About Nothing was performed at the Guild Hall Theatre in 2018. The show was set in the present moment while staying true to the Elizabethan text. We celebrated the joyful exuberance of the play, without backing away from the tragic Hero/Claudio plot that's nested inside the comedy.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Madi Coleman</image:title>
      <image:caption>In 2018, my wife and I created The Wichita Fringe Festival, an annual, one-day theatrical event that celebrates the work of local high school playwrights. Working with professional mentors from the Wichita theatre community, playwrights from schools throughout the city take their scripts through the process from stage to page, culminating in a performance of their works by area high school actors.</image:caption>
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    <image:image>
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      <image:title>Madi Coleman</image:title>
      <image:caption>Our goal was to create a truly unsettling production Macbeth, one that did justice to the dark rhythms of the text. We also sought to foreground a second tragedy within the story: the dissolution of a marriage. Our reading of the text revealed the close, nearly supernatural link Lady Macbeth and Macbeth share when the play begins.</image:caption>
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      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c7326833-0e60-431b-b70b-2daaaab0b5c6/272880271_10228790243441370_8156259011765825596_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>ARTHUR MILLER: After I’d done “All My Sons,” which was, of course, in a straightforward, realistic form, I got the feeling that I could start to tread new territory, that here was a kind of play which would allow me to treat time concurrently. I think we all think on two, three, or four different levels at the same time.... I thought, Wouldn’t it be marvellous to be able to do a play where somebody is in two or three different places concurrently."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c81e9441-6ceb-4dc4-8d2d-815a6249923e/DSC02517.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The show opened with a musical-theatre style dance number to "Sing, Sing, Sing" (a post-war tune) in order to underscore the excitement the townspeople felt as they gathered to hear the news of Don Pedro's approach. We considered the dance as form of Shakespeare's heightened speech: when emotion breaks the bounds of prosaic life, form is intensified.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/545154eb-d61e-4a0c-af59-365dc9bba59e/17632389_10213092051996395_8362390072033512505_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The play opens on a blood-soaked battlefield, which the witches peel back to reveal a dark circle.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3b38ab2e-17c2-4de9-b917-38df790e8733/50309632_10219072800671374_4633464676598939648_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Though set in our time, our production of Hamlet was also set within a cycle of violence that has run through centuries, where one generation's violence creates the conditions for another's, where revenge is expected, where even a dead father retains the power to charge his son to shed another’s blood. It is a culture of violence both overt and casual, where women are objects to be shaped by men’s words and plans, used and then forgotten.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/53a5d721-dae4-448a-81a3-f4cc3afe9fa0/i-rmHP8XB-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The students created the props and designed the costumes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/01efc912-8cdd-4f6f-b4cc-7d77637c9cf5/145366855_10226239434552742_4429215481526968603_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/63f79d3f-e999-4c32-a3db-7a3ef4bd6864/130599604_10225807987846844_997426724697670362_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The students designed and created the costumes and the set. Capturing the symbolic nature of island, the students conceived of Lemnos as a kind of bandage, a dressing for a wound.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/89958fb0-2050-4002-b7e7-106e98ebba49/Screen+Shot+2023-07-03+at+3.58.54+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Student writers are paired with adult professional mentors in the areas of writing, acting, and directing. Students hone their written work, cast their shows from auditions that attract students from throughout the local area, and direct those shows. The plays are then performed for the public.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/fab49820-596d-4d70-999d-c904a3ae3b7f/86348661_10222818648835237_3878533297113923584_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>A final rehearsal of the show's closing number: "Carolina in My Mind"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/98981f17-1f68-436e-b32c-780f46fc0703/885223_3926790747904_1199758584_o_3926790747904.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The show opened with beloved local theatre legend Dick Welsbacher delivering Hamlet's advice to the players on an empty stage.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/57769e50-a092-4f8b-8e4f-b6f50d6a79bc/macbeth+and+lady+macbeth.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>While on the battlefield, Macbeth had told the stars to "hide your fires." When first we see Lady Macbeth, she unconsciously echoes her husband's imagery, wanting heaven not to "peep through the blanket of the dark." As though summoned, her husband appears before her, returned from war.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/ea3099df-9e10-4497-9dff-67ad5f0a7bec/i-qnbVLgJ-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>A large measure of the joy that comes of directing young people is to see students of different ages engage in serious play together.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a497e427-0f0e-4c60-8c17-5882a147140e/86261405_10222818641035042_8968181946463027200_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Jazz vocalist Anna (Hetherington) Christensen told the story of coming to love vocal music and the art of improvisation before singing a joyful and inventive version of "The Way You Look Tonight."</image:caption>
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      <image:title>Madi Coleman</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/ee098280-17f2-4008-b3e2-cde253ffb3b3/131382003_10225807988446859_8444660277666975453_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Madeleine was the chorus, who at the drama's end, becomes the voice of Hercules as a volcano erupts.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/e5a6c460-c3fd-43fd-a1ec-686256651397/fringe+fest.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The venue for the performances changes each year, and has included The Fisch Haus and The Wichita Center for Performing Arts.</image:caption>
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      <image:title>Madi Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/ab33e8d8-fa72-4bea-94d3-1fd52739815d/86180118_10222818641675058_5292196699983314944_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Actor Quinn Warren talked about being drawn to theatre in high school by The Night Thoreau Spent in Jail and then discussed the life he found in Shakespeare's language, and its ability to transcend time.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/82715dbd-870d-45a4-9a41-5915728b23a6/i-Vf6fjz8-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c950eb3a-f8ee-4a4a-8ebe-ad5219b86853/1404482_10201374540064157_117053820_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Over the course of the play, Macbeth spirals closer and closer to the dark heart of the circle. When he reaches it, he dies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/973f8b6e-240a-479e-833b-136381e48875/death+of+a+salesman+%28production+finals%2940.JPG</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/121c0890-9baf-491a-b1de-16beaf17f6d0/893835_3926779147614_297721089_o_3926779147614.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The show brought together generations of local talent. In this scene, local theatre veteran Danette Baker shows student performers "how sweet the moonlight sleeps upon this bank."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/ed367970-87bd-40ca-8785-740f7bb54da3/2.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Set against the cycle of violence to which Hamlet is heir is the communal, universal, joyful work of the imagination, dramatized by The Players, who entered with a spell-casting three-part a cappella drone that spiraled into hints of Sondheim and Irish folksong.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/d9319f5d-0b43-498a-9c5d-c41d5869e765/130695510_10225807989086875_3729723821301349376_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Trailing lava, the chorus/god takes away the island Philocetes had come to know through pain and exile. He must finally leave his space of wounding in favor of trust and reconciliation.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/d98f673c-6ec4-45fd-bc03-a1ec2b0bdf4d/i-NtbFPPL-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We playfully dramatized the rivalry between Don John and Don Pedro in terms of popular culture. When first we see the conquered Don John, he is wearing a Beatles Let it Be t-shirt, just like his brother wears.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/edb9a5cd-57db-4cc9-b75a-5e0e7cd40392/1403472_10201374541704198_1038586222_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1e48c37d-1f75-44e1-9cb7-28f0ac101458/13497648_1033112663470065_5791720420972139594_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/709746db-6653-4fa6-848f-30abe68033be/i-326LHjd-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>When he is finally alone with his henchmen, he reveals his true nature in a monologue, during which he reveals a hidden shirt that he wears beneath his brother's: The Beatles' Let it Be gives way to The Rolling Stones' Let it Bleed.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/d983dd03-9fbc-4d79-8c20-3c148289c7a8/893968_3926790907908_1182759502_o_3926790907908.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>After Henry V rallies his troops for war, a mother questions the war's justice.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/0fca57aa-e574-43d7-ba3c-c7d227dec546/272916340_10228790256401694_2035756100534738565_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>"The play, I think, is suffused, oddly enough, with hope. Everybody's full of hope! All the time. As well as dread." --Arthur Miller, on Death of a Salesman</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/54e4f532-ce20-467c-b962-daed86dc4c6f/11055344_10153234878309845_8674137003991587479_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3dcce3ab-787e-4faf-aa42-755dbcf7fd32/86289270_10222818647435202_370120305676386304_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>"'You're like Nick Drake, except on piano!' my friend told me. I wasn't sure what that meant!" --Singer/songwriter Justin Meyer on a song that opened his world: Nick Drake's "From the Morning." He then played a beautiful piano arrangement of Drake's classic Pink Moon track</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/aa48dd74-34be-4ec4-82dd-bc97e02ce9a4/86350719_10222818644075118_6475589700475158528_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>"My dad had three songs that weren't classical. The Sultans of Swing by Dire Straits. Bohemian Rhapsody by Queen, and Blackbird." --Musician Dan Overholt on finding the song that bridged the gap between classical music and pop: Paul McCartney's "Blackbird." Dan then played and sang a hauntingly legato version of the song on the cello.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c466ce18-5c57-43c3-8278-0cf1e2240043/67755750_10220893947758913_3615031070614880256_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Then Amy Shelden stopped time with a soaring Portuguese Fado, after which Anna Hetherington sang and scatted "Je Veax" by contemporary French songwriter Zaz, as Amy and Dr. Parker created a climate of joy with their voices, movements, and a simple drum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/0a4c0132-838c-4a75-b4e0-5d4548ec86ac/DSC02570.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We cast young adults in many of the main roles, including Benedick and Beatrice, and sought contemporary analogues for moments in the Elizabethan text, such as conceiving of Dogberry and his volunteer band of crime-fighters as members of a neighborhood watch that had been promoted to the status of Prince's Watch...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4b7f4c61-aab2-4225-bb14-e020c6982130/10465453_10153234878249845_5281024734836443417_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6b78f0e2-5618-4260-a8b2-7f3854d42e44/882236_3926779467622_198080073_o_3926779467622.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Beatrice and Benedick read each other's notes.</image:caption>
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      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/b1ca250e-7319-44b7-9fc1-fb56f9180cdf/86281898_10222818637874963_5580619782727663616_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/e52a9195-aafd-41fe-88d0-418a10a4e18e/i-9rtBfhJ-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>...or underscoring the watch's wonderfully childlike enthusiasm by having them use a child's flashlight as their lantern....</image:caption>
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      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4f4f97ff-9642-4803-85d0-5d5a5f197fe3/13490576_1033112606803404_2852953051159627008_o.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f010e38b-eeb9-426c-8d70-9c34f66d05d3/death+of+a+salesman+%28production+finals%2916.JPG</image:loc>
      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/d85d2b2e-f584-4d11-bcfd-53937e75a276/i-Ff2ztRv-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/2455d612-6169-4cae-9f12-00ac9d0626dc/DSC02563.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/bdefac32-b4b4-4781-8a83-53d151b55fcd/Screen+Shot+2023-07-03+at+5.05.35+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We noted in our readings of the text how playful, happy, and even reverent Hamlet becomes when in the presence of the Players. Their songs and scenes allow for an expression of rage and grief and longing that connects people, rather than isolating or injuring them. Arthur Miller once wrote that tragedy arises when we are in the presence of someone who has missed accomplishing their joy. We tried to communicate that idea.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/cc841f7f-a72b-4003-88a0-9a9e16a41dce/death+of+a+salesman+%28production+finals%2965.JPG</image:loc>
      <image:title>Madi Coleman</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/da36955e-b6ef-4b6e-9028-7f20c8acb169/1.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>One of the cycles of violence in Hamlet: a dead father commands his son to kill. In our performance, the ghost literally puts the dagger in Hamlet's hands, as though completing a circuit (we had noticed in the text early in rehearsals how the encounter with his father jolts Hamlet with energy). A kind of violence enters him.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f37d2211-9f98-4cf4-a06e-75d7a27b9dfb/DSC02554.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>...or dramatizing Benedick's sudden and full-throated embrace of emotion by having him lip-synch to a Smiths song.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/b3b1b77b-eebd-4594-ad14-c4e25932f81d/i-Zh6Lvpd-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/0b8f798e-ebf3-4fa5-9ca3-ec0bc7426310/DSC02558.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/162051a0-f41c-4c1d-a984-06078172e0bd/145176644_10226239433512716_2701625883948816469_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/cc07b125-97e2-48a9-a399-48a4f43ad106/4.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Hamlet's powerful imagination, thrust into the cycle of violence, takes physical form in certain moments of our production. Here, he imagines killing Claudius as the latter prays.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/dd7d2fb0-d7ec-4c80-9cf4-d3bb549a38f3/i-h9LFFVG-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We based the choreography of the masked-ball on that of the classic Muppet Show sketch "At the Dance" (in which couples wheel into the foreground, deliver jokes, then wheel away), after noting how the two scenes bore structural similarities. All of this was set to a live piano-and-bass rendition of the song that plays in the Muppet Show sketch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/25bda501-24ce-432c-bcd7-36df888e4d52/145476177_10226239465873525_1500444267704206774_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/060354c4-dc25-4118-bbc7-7bcca592cea4/2.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The cycle of violence continues its course when Hamlet commands his cohorts to swear allegiance upon the father's dagger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/d32a8f2a-aaac-4587-bfe2-a14e3c7ade0b/i-7tjWrgD-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/fdf04482-86f9-4e6d-b0a8-614054004030/145325829_10226239465993528_5927221494503492312_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/33fdd105-5340-469c-b008-dadaaef440e2/145866372_10226239461833424_8001605157337876475_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/88683521-c619-432f-902f-1ffaca1296ad/Screen+Shot+2023-07-07+at+12.35.20+AM.png</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/e2bf661b-33a6-4e9c-859b-6dd4b34d15a3/DSC02534.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>"We are the only love gods!"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/7b93f391-7534-4a19-857e-0508c83336ad/i-9X5Vvzc-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/89868214-e2ad-454b-b34d-556e227d3f09/145811362_10226239460993403_6764824038607745389_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3cfdb25a-380e-49da-ba54-ea240b2d3023/closet1.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We also noted in our early close readings of the play how often female characters are isolated, or appear onstage without words, or whose words are reported by men, or whose actions are directed by men. Our production highlighted these power dynamics. Here, Gertrude waits for her son.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/acf246f8-1e82-4cf2-b5ef-ee7a99cf84da/i-wZC6Gfd-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f91b44ff-87ab-4a27-a3b6-cf162f2c149b/145734484_10226239461633419_8655636897453590247_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6bd1cbf4-9513-4abc-aaef-ef0cfe1fcec5/closet2.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/baf33467-2dc3-4a8d-b231-4e7aa657934b/145334452_10226239461313411_8468074198524884104_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/0417f2e8-d315-4cd5-8ffb-bf7762afe67a/i-v5gbvck-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3b6c14a8-71ad-460c-9831-2435178a6f40/i-37P2Qs7-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a414bcd7-90ff-481e-a77e-d5828add5d28/closet3.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/65833885-e4c7-420b-b80c-534ccca35202/145353295_10226239483913976_4116384965333590794_n.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/9d4cda13-8c9b-4296-a428-40a4ccf69e3e/DSC02546.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/b872819f-1119-4f01-a43a-8f3ac678c2ca/closet4.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/886483bb-5c0c-4a0b-9e09-1f553bff7a04/i-qfwRpqF-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f9c7855f-8533-4242-8cbf-8d7c20d2f917/DSC02592.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The actor playing Dogberry noted how many religiously charged words Shakespeare includes in the character's dialogue. This informed his choices in terms of vocal delivery; he often spoke as if he were a wildly confident and inept preacher.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6e4799fe-ddb3-49bf-8fc1-082225767ea4/closet5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We also highlighted the close bond the text reveals concerning Hamlet and Gertrude.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/ea515fd8-3f91-4d76-97b0-6c78422c30c9/i-5HLjTcW-X5.jpeg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The song "It is Only a Paper Moon" is sung three times in the production, as its theme--the power of artifice and theatricality ("it wouldn't be make-believe if you believed in me")--infuses the plot of Much Ado. This power is used in the gulling scenes to bring Benedick and Beatrice together.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/56cf7b26-43de-455a-a674-a08b6b016f6b/Screen+Shot+2023-07-04+at+1.59.48+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>This theme is seen in tragic light in the Claudio and Hero plot. Claudio rejects Hero after being deceived by Borachio's act of artifice and theatricality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a4eef859-8395-443a-a813-0da21f811698/Hamlet+Photos+7-23+%285+of+27%29.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The fall of Ophelia is a tragedy equal to Hamlet's. We began to dramatize this by showing her joyful, playful spirit we first we meet her. She is arranging the flowers we imagined Hamlet had sent her, humming a light tune and reading the note that accompanied the gift.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/55386a40-fa26-4414-af15-d4ae816b2a47/DSC02586.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3f7ce234-e304-4c7b-b25b-eb957c70fc24/Hamlet+Photos+7-23+%2810+of+27%29.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>She is confident and witty, bantering with her brother.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/bcc5dae4-a6d3-4a45-9466-3fb0602da874/Screen+Shot+2023-07-04+at+1.50.17+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>At the end of the play, Hero returns, bearing the bright paper moon from their ruined wedding.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/8ef62370-c6f8-40da-b428-0cb8fdad02e9/Screen+Shot+2023-07-04+at+1.50.46+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a1642911-818a-489e-bcd9-52a737187ecd/Hamlet+Photos+7-23+%2811+of+27%29.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Soon she will be forced into serving her father's political ends, her identity effaced.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4a82cc46-0790-4bd9-8cfd-b4341935d5af/Screen+Shot+2023-07-04+at+1.51.21+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>In an act of theatricality, Hero tears away the paper surface of the moon, tears away the artifice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/5489d035-5190-4302-841f-46763657b351/Hamlet+Photos+7-23+%2812+of+27%29.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Polonius finds Hamlet's note with the flowers, violating his daughter's privacy. He quickly conceives of the genuine expression of love as evidence he can use.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/d45c2b09-2ee2-45b2-a988-e0de9ceb1a6f/death+of+a+salesman+%28production+photos%2903.JPG</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4fe9a827-5cf4-401c-a669-ee0eedd729c4/Screen+Shot+2023-07-04+at+1.51.47+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4c7113e1-1422-438c-93b2-a70dcf8eecb6/Hamlet+New+Export+1-6-21+%282+of+30%29.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>When he triumphantly presents the note to the king, the second quarto tells us that Ophelia is in the room, though has no lines. She must be a mute witness to her father turning her relationship with Hamlet to his advantage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/8a8ea6db-723f-4c99-aa3a-3eabac6e9bec/Screen+Shot+2023-07-04+at+1.52.34+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>They can see one another more clearly, and make a vow based on that true sight.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/35866dde-8c61-4e93-8e2c-b10596555a66/Screen+Shot+2023-07-04+at+3.28.55+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We wanted the show to be as densely layered with bits and jokes as possible. For example, the letters that are brought out at the end to reveal Benedick and Beatrice's secret feelings for each other were imagined in our production to be two white boards, upon which each lover has composed one half of Shakespeare's sonnet 18.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f36849c5-b806-46e8-ae9a-935489afab21/Screen+Shot+2023-07-04+at+12.36.47+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>When Claudius says that "madness in great ones must not unwatched go," the moment was charged with tragic irony in our production, for there, on the other side of the stage, alone, having been made into a prop in a power play between Hamlet and Claudius and Polonius, was Ophelia, unseen, except by us.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/57507855-2807-47f2-87ed-95c4fa42c5f9/Screen+Shot+2023-07-04+at+3.30.42+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1d7fb23d-5c25-41d5-9376-8cfb194f1c78/Screen+Shot+2023-07-03+at+5.04.41+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>The flower imagery returns in Ophelia's final scenes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/496dc349-cc0f-47e8-bfe3-8ed57ee2a6ec/Screen+Shot+2023-07-03+at+5.04.30+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>Often productions of Hamlet reduce the gravedigger scene to one actor. When we read the texts, we found a great--and very funny--double-act in the banter between the two diggers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a4244d57-9be7-4c0e-a645-a72598407c18/Screen+Shot+2023-07-03+at+5.04.20+PM.png</image:loc>
      <image:title>Madi Coleman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3538211a-ee7b-4291-8b56-20de85d6d4c0/Hamlet+New+Export+1-6-21+%2820+of+30%29.jpg</image:loc>
      <image:title>Madi Coleman</image:title>
      <image:caption>We utilized a chiaroscuro effect in our lighting design to lend weight to the spareness of our production.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-07-24</lastmod>
  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-four-x3pw6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/02470c17-bc1d-47d0-ac6a-ffbc278a1161/175631458_10226855541155022_7060587961407056567_n.jpg</image:loc>
      <image:title>Deep Dives - What's A Meta For?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/9cb86e3f-fb22-4aa3-84d7-09f43ce2543f/175997345_10226855541515031_7125577220992448219_n.jpg</image:loc>
      <image:title>Deep Dives - What's A Meta For?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/36a13aad-1dae-4647-bded-d05328faa3fd/Overview.jpg</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/8d7b74d8-c384-46d7-aadd-59e7ad4913b0/fireplace.jpg</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/22ce26d1-62ee-47d7-8d1b-3afa6b9519f1/Screen+Shot+2022-06-10+at+1.46.43+PM.png</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1c96aed3-850d-4efa-a73f-5c7158d63fd5/Screen+Shot+2022-06-10+at+1.46.55+PM.png</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - Monsters' Ink</image:title>
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      <image:title>Deep Dives - Monsters' Ink</image:title>
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      <image:title>Deep Dives - Monsters' Ink</image:title>
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      <image:title>Deep Dives - Monsters' Ink</image:title>
      <image:caption>Arora depicted Grendel as an emanation of the environment, with giant hands ready to scoop up thirty Geats.</image:caption>
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      <image:title>Deep Dives - Monsters' Ink</image:title>
      <image:caption>Finn's Grendel has the eyes of fire the Anglo-Saxon scop (poet) describes, mossy cloaks to connote his recent emergence from his swampland home, and a gaping maw. The cloaks' patterning evoke the chain mail worn by his adversaries, even as it evokes maritime netting.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f3903486-51df-4988-8a31-51b86d13b4a7/240592174_10228101523103792_9072160445954697437_n.jpg</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
      <image:caption>Abby's Grendel blends the human with the avian, in particular the black vulture. In her presentation to the class on the explicit and implicit textual evidence that guided her drawing hand, Abby noted Grendel's human lineage and his bird-of-prey features, then mapped the black vulture's characteristics onto those the scop delineates. Abby's two images, one of the creature's head, and one that shows the hybrid skeletal structure of the monster, capture the unsettling contrasts at the heart of Grendel's terrifying nature.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1f7c7d61-0883-4a19-bc4f-27cf37df19c6/241332449_10228090474867593_7402585984802333725_n.jpg</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
      <image:caption>Isabelle depicted Grendel returning, wounded, to his swampy lair, placing us, unnervingly, underwater.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c4e273b3-99d8-41bd-9d54-095f37957ea1/245668660_10228101761389749_1279906359240876462_n.jpg</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
      <image:caption>In Lydia's sketchbook, Grendel took on many forms--all unsettling, all a mirror of the unsettling fact that this monster's made of incongruous features and natures. "Every time I pictured him, he changed," Lydia told us in her presentation. The figures that emerged from her experimentation in imagining Grendel explore the source text's verbs ("It's mentioned twice that he 'swoops,' she noted, adding that that word's definition, when combined with the mention of "talons," compose a descending bird of prey), even as they dramatize the humanioid/avian mixture that strikes at the heart of the creature's fearsomeness. Along the way, she analyzed the text for subtle clues in imagery and turns of phrase that might suggest aspects of the creature's surface textures, and disposition. "Overall, the collage I did of him was fragmented," Lydia concluded. "I never drew all of him, for evidence about his appearance is antithetical and confusing. His actions speak louder than his descriptions."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/0ddf4035-7eae-4389-93de-cc73f2c901b4/279735334_120117467322773_4252888372906028451_n.jpg</image:loc>
      <image:title>Deep Dives - Monsters' Ink</image:title>
      <image:caption>Henry's Grendel took inspiration from some of the verbs the scop uses in the text (as rendered by Seamus Heaney in his translation). The creature's said to "lope" and to "swoop." The former's definition included a horse's gait, which informed the creature's legs, while the latter's definition, constellated with other mentions of Grendel's night-work, inspired the monster's night-filled wing-span, which, in the light, shows its feathers.</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/292912b1-cf6c-4901-9f74-e7804c02a850/2.jpg</image:loc>
      <image:title>Deep Dives - Camera Obscura</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/769aed3c-efdf-4efa-9e0b-dbaadd3a3867/1.jpg</image:loc>
      <image:title>Deep Dives - Camera Obscura</image:title>
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      <image:title>Deep Dives - Camera Obscura</image:title>
      <image:caption>The Star-Splitters' open eye to the world's wonders</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/78cc9c96-9fdd-4f4d-ad1b-6c4ec4a7d02c/4.jpg</image:loc>
      <image:title>Deep Dives - Camera Obscura</image:title>
      <image:caption>We covered the windows in trash bags, then cut a hole the size of a dime.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/cfbd533f-78ba-41ff-9a47-999204146fa3/5.jpg</image:loc>
      <image:title>Deep Dives - Camera Obscura</image:title>
      <image:caption>Before we opened the room's pupil. The back wall, covered in white cloth, represented the eye’s retina, upon which would project, upside down, all that the pupil allows.</image:caption>
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      <image:title>Deep Dives - Camera Obscura</image:title>
      <image:caption>The Wight-Stanley House behind our camera obscura classroom rushed through the dime-sized aperture and became the far wall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/943cab4b-58f5-48f6-be77-a3252919f66c/7.jpg</image:loc>
      <image:title>Deep Dives - Camera Obscura</image:title>
      <image:caption>We watched in awe as, on the west whiteboard, the tree just east of our room's pupil swayed in the breeze outside.</image:caption>
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      <image:title>Deep Dives - Camera Obscura</image:title>
      <image:caption>On the east whiteboard appeared the line of apartment buildings just west of the Wight Stanley House, as well as the vehicles parked in front of them.</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c6abb41e-2c60-4583-8ef3-bbaa01075287/257567829_4553722348075728_950172892573985561_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Today the Star-Splitters began deliberations in the case of Whoville v. The Grinch! The Grinch was charged with felony theft under a Crumpit [CR] state statute for stealing $850,000 of property from the residents of Whoville, CR. The state statute includes an exception which states that “if the theft resulted in self-betterment of more than 2 heart sizes in one day, and the defendant returned the property before being arrested, the provisions of this statute need not apply.” (The Crumpit state law may be in conflict with federal law, however!)</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/eabd0ad7-654d-4f0e-a957-9e6f51365b76/258118968_4553766954737934_3535524987876573498_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>As jurors in Whoville District Court, the Star-Splitters heard oral arguments from Prosecutor J'Accuse You Lose Who and from The Grinch's Defense counsel, Oh, Boo-Hoo Who. They also heard conflicting witness testimony from sworn depositions and read an abstract from the peer-reviewed Crumpit Journal of Heart Research concerning cardiomegaly [abnormal enlargement of the heart], "a common occurrence among patients with previously diagnosed cardiac size restriction who have recently undergone a worldview-altering event, colloquially known as a 'change of heart.'" In their verbal deliberations and their written jury questionnaire answers, the Star-Splitters exercised their understanding of claims and support, issues of Constitutional law, and the evaluation of evidence. This is a tricky case! It might go to the Supreme Court, as early as tomorrow! [Huge thanks to Chris Yoder for inventing and writing the entire case, and to scientist Rachel Yoder for drafting the journal abstract, and to Sanda Moore Coleman and Madi Coleman for playing the prosecutor and the defense attorney, respectively.]</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f9eaa3ef-a607-42d2-af98-aa15f26c5a4b/258300819_4553820744732555_6814856956151902076_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>They jury read an abstract from the peer-reviewed Crumpit Journal of Heart Research concerning cardiomegaly [abnormal enlargement of the heart], "a common occurrence among patients with previously diagnosed cardiac size restriction who have recently undergone a worldview-altering event, colloquially known as a 'change of heart.'"</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Relevant United States and Whoville case law and evidentiary rules that the jury considered in their delibneberations.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/698405d8-2c13-4073-91e2-3394c7b16857/258759409_4557068954407734_8442504206333792289_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>What a rollercoaster ride in the Whoville court system today! First, on behalf of the jury, the honorable Judge Hammer-Jammer Who laid down the law in the Whoville District Court case of Whiville v. Grinch, convicting The Grinch of theft according a federal statute and sentencing him to 43 months in jail.</image:caption>
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    <image:image>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>The Grinch immediately appealed the ruling, ultimately sending the case to...</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/aacd102a-0d77-437b-9fd7-634a1f9b871d/255946679_4557011357746827_542616252469767619_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>...The Whopreme Court!</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c3baeb2d-45bb-4e88-be90-eecd2cee5d64/258735037_4557090971072199_3791492234288508519_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>In the case of Grinch v. Whoville, the fourteen Whopreme Court Justices tested the federal law against the Constitution, and found that it was at odds with the 14th Amendment's guarantee of due process regarding property rights. The court also cited the reasoning behind the 1803 Marbury v. Madison decision as a relevant precedent in this regard. Having struck down the federal law, the Whopreme Court ruled on how the case would have turned out under the original state statute, which explicitly carves out an exception for those whose acts of thievery "resulted in self-betterment of more than 2 heart sizes in one day" and who "returned the property before being arrested." Because the Grinch 1) experienced heart growth of over 2 sizes, and 2) returned the property before being arrested, the exception in the state statute applies to him, and the theft charge is dropped. The upshot: The Grinch walked!</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Justices Jeff Wingwho [aka Ian] and Owl Who Who [aka Isabelle], as Co-Chief Justices on the court this year, wrote concurring opinions on the case</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Justice Arora Who, with her well organized binder of Constitutional Law</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Justice Finn Who, ready to apply the constitution to the law!</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Star-Splitter Finn, investigating Article III of the U.S. Constitution, as we make our way through the landmark 1803 Supreme Court case, Marbury v. Madison.</image:caption>
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      <image:caption>Justice Oliver Who wants us to know that they are...</image:caption>
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      <image:caption>a "lawyer."</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Students outlined each of the cases that we discussed. Here is an example: Ian's outline of Marbury v. Madison, which established the doctrine of judicial review.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/fbb42cf3-2586-4124-9a0f-b3b4af09d623/255176250_10228301651106867_220686482612014106_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Sophocles (via Seamus Heaney) wrote that once in a life-time, "the longed-for tidal wave / of justice can rise up, / And hope and history rhyme." We traced that wave through the hundred years that led from the notorious Dred Scott ruling, to the notorious Plessy v. Ferguson ruling, to the long-awaited, revivifying Brown v. Board of Education ruling, inspired in part by the profound work of liberal artist Thurgood Marshall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/832c2f46-edb8-4ed5-aadf-b39f3b09164d/255445498_10228301947234270_298816799997529346_n.jpg</image:loc>
      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>The Star-Splitters learned about Brown v. Board of Education, including the pioneering sociological research of Mamie Phipps Clark and Kenneth Clark that helped the liberal artist Thurgood Marshall make his case. We learned together, then sang together.</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Sometimes, after a rigorous morning session working through the intricacies of McCulloch v Maryland or Mayberry v. Madison or Brown v. Board of Education, some of the Star-splitters and Mr. Yoder and Mr. Coleman would spend part of their lunch working their way through Billie Eilish, CCR, and Gillian Welch!</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>A well earned standing ovation for Chris Yoder, who led the Star-Splitters in our deep-dive into U.S. History and Constitutional Law. (Chris came to Wichita and was in-person for most of the class, but had to Zoom in today. He is a Kansas-City based attorney at Baron &amp; Budd, and a Northfield alumnus!)</image:caption>
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      <image:caption>This morning, Oliver and Isabelle came up with two different ways to visualize the validity of this syllogism: All bananas are crows. This harmonica is a banana. Therefore, this harmonica is a crow. *** Henry and Abby came up with two different ways to see how this syllogism didn't work, formally: All chocolate labs are brown. Duke the dog is brown. Therefore Duke is a chocolate lab.</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>On our last day of class before Halloween, a young man in a homemade motion capture suit, a pirate, a ghost, Blue Shirt Guy, Albert from an online escape room game, a giant pickle, Frankenstein’s Monster Being Abducted by Aliens, and many other wonderful creatures learned all of the intricacies of the Marbury versus Madison case from 1803.</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>On our last day of class before Halloween, a young man in a homemade motion capture suit, a pirate, a ghost, Blue Shirt Guy, Albert from an online escape room game, a giant pickle, Frankenstein’s Monster Being Abducted by Aliens, and many other wonderful creatures learned all of the intricacies of the Marbury versus Madison case from 1803.</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>On our last day of class before Halloween, a young man in a homemade motion capture suit, a pirate, a ghost, Blue Shirt Guy, Albert from an online escape room game, a giant pickle, Frankenstein’s Monster Being Abducted by Aliens, and many other wonderful creatures learned all of the intricacies of the Marbury versus Madison case from 1803.</image:caption>
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      <image:caption>Car-ghost Santana (courtesy of Oliver!)</image:caption>
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      <image:caption>Car-ghost Santana (courtesy of Oliver!)</image:caption>
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      <image:caption>Gideon, looking up the definitions and etymology of "Constitution" for his commonplace book.</image:caption>
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      <image:title>Deep Dives - 2L: U.S. History Through Landmark Supreme Court Cases</image:title>
      <image:caption>Sometimes during our Star-Splitters deep-dive into Constitutional law, Mr. Coleman's co-teacher, attorney Chris Yoder, would have to step away to take a call, or formulate deposition questions, or strategize. He was working on several related cases at the same time. This was one of them. He and the firm where he works have won all of them so far, which will bring needed resources to communities that have been affected by the opioid crisis.. From today's New York Times (12/31/21):</image:caption>
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      <image:caption>A summary of one of Mr. Coleman's lectures on Washington Irving and "Rip Van Winkle," a story that intersects with the events and time-period of Marbury v. Madison. The day we started reading Washington Irving's Rip Van Winkle aloud, Oliver noted the similarity between Irving's sleeping time-traveler and Marvel's Captain America. Ian didn't miss a beat. “You mean Ripped Van Winkle?” he asked.</image:caption>
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      <image:caption>Some of Finn's class notes on checks and balances</image:caption>
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      <image:caption>Ian updated a meme to help us remember the U.S. government's system of checks and balances.</image:caption>
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      <image:caption>We are so glad our students got to learn from Mr. Yoder again this year, in our deep-dive on U.S. History and Constitutional Law. Christopher Yoder is a staff attorney at Baron &amp; Budd. He works in their Opioid Litigation Group. He studied philosophy and English literature at Wichita State University, receiving a bachelor of arts in each. His family history of farming closely connected him to grassroots America, and he applied to law school hoping to advocate for those living in underserved rural areas by providing ready access to legal representation. While attending Washburn University School of Law, Mr. Yoder was a recipient of the Hansen Foundation Rural Initiative grant, which allowed him to gain experience practicing criminal defense in remote areas of western Kansas. This advocacy at such a hyper-local level in the farm community inspired in him a passion for representing those who struggle to afford legal representation that provides them with a sincere and powerful voice in the court system. Because of the great need for attorneys in rural areas, and the difficult barrier of entry for new practitioners, Mr. Yoder was motivated to found the Rural Practice Group at Washburn University School of Law to connect aspiring attorneys with established small-town lawyers and to give them a foothold in the community. He also plays jazz guitar and studies sustainable agriculture. Chris lives in Overland Park, KS, with his wife, Rachel, who is a cancer researcher, and their son, Caspian.</image:caption>
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      <image:title>Deep Dives - The Scientist in the Lab / The Scientist in the World</image:title>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-syjzr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a30c2ce1-4406-4e00-8398-d4e4fa070354/Screen+Shot+2022-06-11+at+12.08.42+PM.png</image:loc>
      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>We'd been studying sleep science. Oliver asked if they could draw the hippocampus on the board.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/91efe322-299d-4432-bf30-e34d61d3dab5/Screen+Shot+2022-06-11+at+12.08.29+PM.png</image:loc>
      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>Ian updated a meme to help us remember the U.S. government's system of checks and balances.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/81f2c5f8-b2c8-4727-8558-f76ede2a4412/Screen+Shot+2022-06-11+at+12.08.52+PM.png</image:loc>
      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>We'd been studying genetics. Finn was inspired!</image:caption>
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      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>During our deep dive into monsters in literature and culture, Sanda Moore Coleman masterfully read Shirley Jackson's devastating story "The Possibility of Evil" aloud. As she did so, one alert student, Isabelle, was keeping sight of the emerging, unsettling duality of the story's main character, using that character's beloved flower to illustrate the point.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f28224df-4ef4-4298-976e-6959e9bfa050/273718279_10228858912718059_8705302572955212767_n.jpg</image:loc>
      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>After we talked about the complexities of the Greek concept of hamartia in tragedy, Lydia summarized Julius Caesar as a trolley problem.</image:caption>
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      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>After writing some lines of poetry that demonstrated their understanding of metrical feet, including the establishment of a prevailing foot and the use of substitutions, Oliver decided to add a pie graph of their choices!</image:caption>
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      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>As Finn and Oliver can attest, the etymology of the word “dactyl” (a metrical foot in poetry composed of a stressed syllable followed by two unstressed syllables) is “finger.”</image:caption>
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      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>As Finn and Oliver can attest, the etymology of the word “dactyl” (a metrical foot in poetry composed of a stressed syllable followed by two unstressed syllables) is “finger.”</image:caption>
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      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>Oliver made this after we studied the differing styles of three haiku masters.</image:caption>
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      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>Ian's timeline of the thinkers we studied today: Thales of Miletus; Euclid of Alexandra, who codified the geometry Thales helped discover; Eratosthenes of Cyrene, who like Thales solved problems of measurement using only sticks and shadows and a penetrating mind, determining, for instance, the shape and circumference of the Earth; American poet Edna St. Vincent Millay of Maine, who, inspired by her study of science at Vassar College, wrote a timeless sonnet about the genius of Euclid, his ability to see the eternal forms of things within the daily shapes we know; Carl Sagan of Brooklyn, New York, whose video we watched in order to understand Eratosthenes’ achievement; and then, in our own time, Laura Fargas of Washington D.C., who in her poem "October-struck," reminds us that in fall our vision can expand to see more, see, for instance, the structural shapes of trees more clearly--see more of what we love, and thus can come to love it more.</image:caption>
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      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>During our class in digital logic, Oliver created a new logic gate for the improv-loving Star-Splitter Academy: the YES AND gate, which honors any input and adds to it meaningfully.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/280e72e3-d3cf-44d0-8ceb-9d1e2444f76f/306566954_153352227332630_8340524385298336833_n.jpg</image:loc>
      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>Surely the time for translating Yoda into a Boolean expression is now, right? That's what we decided, anyway! Here's "Do or not do; there is no try."</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1686077382961-D96WWDIT54OL828U4XKY/Screen%2BShot%2B2023-06-06%2Bat%2B1.17.29%2BPM.jpg</image:loc>
      <image:title>Deep Dives - Memes and Marginalia</image:title>
      <image:caption>We had just read A Christmas Carol. Oliver decided that there should be a sequel!</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-13</lastmod>
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      <image:title>Deep Dives - Comedy School</image:title>
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      <image:title>Deep Dives - Comedy School</image:title>
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    <image:image>
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      <image:title>Deep Dives - Comedy School</image:title>
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      <image:title>Deep Dives - Comedy School</image:title>
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    <image:image>
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      <image:title>Deep Dives - Comedy School</image:title>
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    <image:image>
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      <image:title>Deep Dives - Comedy School</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-six-ywjl6-2mmcy</loc>
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      <image:title>Deep Dives - Walking and Thinking</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1654959478094-Z12X9YMYBYIGKSSB0I69/walking+5.png</image:loc>
      <image:title>Deep Dives - Walking and Thinking</image:title>
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      <image:title>Deep Dives - Walking and Thinking</image:title>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - Walking and Thinking</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1654959472247-LM8UHB43E09EQXP15XFJ/walking+2.png</image:loc>
      <image:title>Deep Dives - Walking and Thinking</image:title>
    </image:image>
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  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-syjzr-lw2tb</loc>
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    <priority>0.5</priority>
    <lastmod>2022-06-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/940ca397-feec-414c-91cc-289b8a03fb00/Screen+Shot+2022-06-11+at+12.23.07+PM.png</image:loc>
      <image:title>Deep Dives - Robert Burns Week</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/69887f60-b4d8-4fd3-a5b4-db99433fb4e5/Screen+Shot+2022-06-11+at+12.22.26+PM.png</image:loc>
      <image:title>Deep Dives - Robert Burns Week</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh</loc>
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    <lastmod>2022-12-27</lastmod>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>Finn drew the Fairy Godmother's hat and wand on the board so that everyone could take a turn becoming the mentor!</image:caption>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>Jiggety-Jolt! Jack and his bindle and his cohorts, seeking their fortune!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a350d6ed-02aa-4014-86b9-68ee01ba1371/272421851_10228741211615605_3858212194199860823_n.jpg</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>This is an image Sanda saw when she was a little girl: The Three Little Pigs, with bindles-- and a backpack!</image:caption>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>The first page of Arora's bindle story, which won an award at the 2022 Kansas Voices Writing Contest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/aa102387-1c2b-476f-84f3-31129728b404/Screen+Shot+2022-06-13+at+7.50.33+AM.png</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>The first page of Lydia's Cinderella story, which won first place at the 2022 Kansas Voices Writing Contest.</image:caption>
    </image:image>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>"Why We Tell Stories," as it first published in Poetry Magazine in July 1978. We read this work each morning during our deep-dive into Cinderella stories. The poem reminds us that the story of our life becomes our life, and that our stories are rooted in the idea of “yes and.”</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6f09e207-3f51-47be-831f-1dfbb4ab66b8/Why+We+Tell+Stories--2.jpg</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>"Why We Tell Stories," as it first published in Poetry Magazine in July 1978. We read this work each morning during our deep-dive into Cinderella stories. The poem reminds us that the story of our life becomes our life, and that our stories are rooted in the idea of “yes and.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/a602ea5f-c6ce-4eb9-bf1e-53920555e604/273746399_10228859776379650_2443969464443969857_n.jpg</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>A well deserved standing ovation for Sanda Moore Coleman on the last day of the deep-dive.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/3505d976-e9e9-4a4f-bb52-c37fd735616b/now1.jpg</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>The Star-Splitters celebrated the snow in February by creating snow-allusions to things we've studied. Henry's snowllusion was to Cinderella. This snow slipper was left behind...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/09724c75-93c6-4aad-a811-2b452cd5efee/now2.jpg</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>...by...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c359c360-acad-4a8e-aeb4-8921e13e3013/now3.jpg</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>...a GIANT!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/9ed8b159-9c82-4d11-a856-828f9bf008d2/snow1.jpg</image:loc>
      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>The Star-Splitters celebrated the snow in February by creating snow-allusions to things we've studied. Oliver's snowllusion was to "Little One-Eye, Little Two-Eyes, and Little Three-Eyes," a variation on the Cinderella story. Here is Little One-Eye.</image:caption>
    </image:image>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>Little Two-Eye...</image:caption>
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    <image:image>
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>And Little Three-Eye.</image:caption>
    </image:image>
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      <image:caption />
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      <image:title>Deep Dives - If the Shoe Fits: A World History of Cinderella</image:title>
      <image:caption>During the time of our deep-dive, Isabelle made a Star-Splitter logo in her stained-glass making class. Here it is casting its colorful shadow on the blinds of a window in our classroom!</image:caption>
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  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj-alr27-7e4ms</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-06-12</lastmod>
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      <image:title>Deep Dives - Moon School</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/2f13371c-b621-4946-8648-06658a715cd4/IMG_1646.jpg</image:loc>
      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:title>Deep Dives - Moon School</image:title>
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      <image:caption>Here are selections from ninth grader Abby Cox’s moon journal, in which she drew and then reflected on the moon’s changing face.</image:caption>
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      <image:caption>Here are selections from ninth grader Abby Cox’s moon journal, in which she drew and then reflected on the moon’s changing face.</image:caption>
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    <lastmod>2022-06-13</lastmod>
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      <image:title>Deep Dives - The Star-Splitter Sleep Lab</image:title>
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    <lastmod>2022-06-14</lastmod>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"I have constructed The Omino Inutilia out of a variety of materials. The first is a cassette tape case from my very own Simon &amp; Garfunkel’s Greatest Hits mixtape. I used spray paint after a layer of mod podge over the entire case. Other things I have used include modeling clay (red and pink),hot glue to affix a few things including some pebbles, sticks, and some synthetic imitation shrubbery as well as to imitate water."</image:caption>
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    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>The Gum Holder 3000: The Gum Stays Fresh After Hours! I built this contraption using mostly repurposed items that didn’t have a home, these being a candle lid, the case for a terrible movie, and an empty open gum wrapper.</image:caption>
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    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/bd4e37cb-a61a-4a3d-be40-426168fe90b5/2.jpg</image:loc>
      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"On the interior of the case, I have used three 3D printed pieces. One holds a pair of earrings, another is a cute little shelf for a mushroom charm to stand on, and the other is a little hook for bracelet making. I have utilized the synthetic imitation shrubbery to decorate the interior as well."</image:caption>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>The design in SCAD</image:caption>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"This beautifully bespoke box is made from a recycled protractor-and-compass box I only used once in 7th grade, velvet I got from the arts and crafts store, and..."</image:caption>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"The benefits of my invention, as I mentioned before, include preventing an existential crisis!"</image:caption>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>Watching the hand emerge, layer by layer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6e55828d-90ce-411f-ab4a-dd66cb68e773/3.jpg</image:loc>
      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>...a shape I 3D-printed. (whispered) Pencase: by Gustopher.</image:caption>
    </image:image>
    <image:image>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f7fe916c-1d69-4083-b444-9ba0d0bd7edc/5.jpg</image:loc>
      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"A unique feature of my invention is that it is designed to be wearable and interactive. "My invention is unusual because, to my knowledge, there is nothing like it!! My invention’s purpose is to accompany an album specifically on vinyl visually and tactilely. This iteration is tailored specifically to accompany the album Forest Standards vol.1 by David Lord."</image:caption>
    </image:image>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6a05507f-a60f-4326-924f-0dc8d2e96161/4.jpg</image:loc>
      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"Store your favorite pen in this box to make it stand out, be unusual, be [whispered] special."</image:caption>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"On the interior of the case, I have used three 3D printed pieces. One holds a pair of earrings..."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/5de45a70-ff0a-4c66-9591-77bb4a270581/3.1.jpg</image:loc>
      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>From Juan's project presentation ad: Narrator: Has this ever happened to you? *We see Son opening a gum wrapper and putting the gum in his mouth. Mom: Time for dinner! Son: What do I do?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c49d5a8f-b448-4c32-95b6-326ea61a7f5b/5.jpg</image:loc>
      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"For only $49.95 you can present your precious pen in a way that all your friends will envy. And if you call now, you will get a complimentary table explaining metrical feet inside the lid."</image:caption>
    </image:image>
    <image:image>
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    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"...another is a cute little shelf for a mushroom charm to stand on..."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/0d5b5ee7-2f74-4a6c-9464-1e6a0acb3baf/3.2.jpg</image:loc>
      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>Introducing the Gum Holder 3000 to solve all of your very specific needs. Son: Awesome! How do I use it? Narrator: The Gum Holder 3000 is used in a very simple way. First you take the gum and put it in the foil. Then you close the foil.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>"Pencase: by Gustopher...."</image:caption>
    </image:image>
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      <image:caption>"...and the other is a little hook for bracelet making."</image:caption>
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      <image:caption>Then you use the lid to seal off the gum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/99dc5a4f-e201-40a4-85c0-64557678e596/7.jpg</image:loc>
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      <image:caption>"...Special things belong in special places."</image:caption>
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      <image:caption>*Pencase is displayed on pedestal* Presenter: Prestigious. Regal. High status. These are all words describing how you will feel with this groundbreaking new item: (whispered) Pencase: by Gustopher.</image:caption>
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      <image:caption>Slogan: The Omnino Inutilia! It’ll bring joy! guaranteed….Omnino Inutilia! In no stores near you! Never! Jingle: *snapping fingers all jazz-like* Smile and prevent your existential crisis today! Omnino Inutilia!</image:caption>
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      <image:caption>Thank you, Gum Holder 3000!</image:caption>
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      <image:caption>Mr. Ewy helping Arora learn the intricacies of the open-source CAD program she used to design her 3D printed materials.</image:caption>
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      <image:caption>In their 3-D making deep dive, the Star-Splitters are learning how to design and print objects of their invention, even as they are learning how to design logically structured paragraphs.</image:caption>
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      <image:title>Deep Dives - 3D Making and Paradigm Shifts in Science</image:title>
      <image:caption>In their 3-D making deep dive, the Star-Splitters are learning how to design and print objects of their invention, even as they are learning how to design logically structured paragraphs.</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj-nlzcz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-17</lastmod>
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      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Students performed monologues from such Shakespeare plays as Much Ado About Nothing, A Midsummer Night's Dream, Hamlet, Julius Caesar, Henry V, Richard II, and Richard III.</image:caption>
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      <image:title>Deep Dives - Bard College</image:title>
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      <image:title>Deep Dives - Bard College</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1655075002233-Y207AA1M5NBTB0JVY2QL/Screen%2BShot%2B2021-11-22%2Bat%2B3.13.55%2BPM.png</image:loc>
      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Here's what Ian wrote about his work: This drawing is a representation of antithesis. There are several examples of such in this work. The two heads shown are blue and bluey-purple, to represent the contrast between the day and the night (this contrast is aided by the presence of a sun or a moon on each respective being’s forehead). On each face is also a mountain or a city skyline, to represent the natural world and the artificial world. The hair on each head is different, as well: the head of nature has hair of grass on the sides and hair of clouds on the top; the head of artificiality has hair made up of roads, with a strand on the side representing energy and the hair in the ponytail representing subways. However, since antithesis is the juxtaposition of contrasting words, images, or ideas in parallel structure, there are some similarities between the two heads as well. Both faces are made on a base of sky, both feature a major celestial body on their respective foreheads, and both feature tall formations on the nearest sides of their respective heads. There’s my presentation. I’m Ian Bench, and thank you for coming to my TED Talk.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/78da97b9-a0ff-4139-8249-74856e77d6de/Screen+Shot+2021-01-29+at+1.44.19+PM.png</image:loc>
      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>West's painting, which he titled "Heavy Like a Balloon," exemplifies antithesis in a richly imaginative way. The class especially appreciated the way he rendered reflectivity on the surface of the balloon.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1655074706058-3UO0T94O6JNPR50FWCG9/Lydia--Antithesis.png</image:loc>
      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Lydia's expressive, thoughtful pair of paintings enacts antithesis in many ways. The left-side depicts "iamb," the metrical foot often associated with the heartbeat, and which, etymologically means "to step," (which she depicted with a relatively leisurely heart rate). By contrast, the trochee is an inversion of the iamb (the heart is inverted, and defined by negative space surrounded by dappled green, red's opposite on the color wheel). Etymologically, "trochee" means "to run," thus elevating the pulse.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1655074704592-AP8I31UANSJDHHV1O9CC/Arora--athens1.jpg</image:loc>
      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Arora chose to make clay models of Plato and Aristotle, from Raphael's The School of Athens, in order to depict antithesis and allusion. Arora placed the figures in a natural setting, one that retained the visually-echoing archways of the original Raphael work. As she explained in her oral presentation of her work, the figures of Plato and Aristotle represent differing views, ones that contrast in their ultimate focus: an ideal world of forms as opposed to the sensory world of Earth. She then added that, since Raphael himself was using these figures' gestures to allude to those contrasting philosophies, and since she (Arora) was alluding to Raphael's work by sculpting only those two figures (out of dozens in the original), her work was, essentially, "an allusion of an allusion."</image:caption>
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      <image:title>Deep Dives - Bard College</image:title>
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      <image:title>Deep Dives - Bard College</image:title>
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      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Gideon depicted the clarifying effect of anaphora on the reading of texts. As he explained, his ADHD can cause him difficulties in readily making sense of a text; the words can seem disorganized (illustrated by the main portion of the painting, in which black marks leave random tracings and loopings). However, when a figure of speech such as anaphora is used by the author and then detected by Gideon, that figure has the effect of bringing that disorder into order (depicted by the band of crimson that contains shades of the inky text). He then added that the proportions of the composition (the crimson band composing a small fraction of the overall compositional space) reflect the reality that such clarifying figures of speech are, in themselves, as fraction of the overall amount of words in a text, while their effect is profound (symbolized by the bold color red)</image:caption>
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      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Finn depicted metrical feet through the medium of clothing. His choices were thoughtful: his "iamb" (on the right in this photo) was depicted with casual, everyday wear, in keeping with the fact that, as he said, "it is the most common foot." Dactlyl--a stressed syllable followed by two unstressed syllables--is depicted at left in the photo, with the red had marking the punctuated first syllable.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/b7a74191-f3f0-40a1-9774-f060d8e1a819/Screen+Shot+2021-01-29+at+12.10.27+PM.png</image:loc>
      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>To illustrate iamb's opposite, the trochee (at right in the photo), Finn fittingly used formal wear, even using a tie as a kind of exclamation point that demonstrated the initial stressed syllable. The anapest is rendered as regal attire, for the foot sounds to Finn like the trumpet fanfare for a monarch.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/7a530674-6727-4f5f-8c1e-8ef4ebf2ff59/Screen+Shot+2021-01-29+at+12.14.46+PM.png</image:loc>
      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>The spondee, fittingly, is depicted by two bold, clashing, yet structurally similar, articles of clothing</image:caption>
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      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Tori's artwork, depicting antithesis, illustrated the meaning of a line from Amanda Gorman's Inaugural poem, "The Hill We Climb": "We lay down our arms so we can reach out our arms to one another." Tori's art explores the different meanings of "arms," and the different ways "arms" may be used.</image:caption>
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      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>Some of the antitheses and allusions we discerned in MLK's "I Have a Dream" speech.</image:caption>
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      <image:caption>We outlined the allusions we found in Biden's inaugural speech.</image:caption>
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      <image:caption>Ian then drew the roots of allusion that gave rise to the speech.</image:caption>
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      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>A compilation of four student responses to question #16 on our test on Shakespeare, rhythm, and invention!</image:caption>
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      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>We also watched professional actors perform scenes and monologues in a workshop setting, via clips from Playing Shakespeare, a mid-1980s BBC series in which the director John Barton and a group of young actors from the Royal Shakespeare Company (including Judy Dench, Patrick Stewart, Ian McKellen, David Suchet, and Michael Pennington) workshop scenes and monologues in a directed but informal setting.</image:caption>
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      <image:caption>Here is a young Ian McKellen and a young David Suchet!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f67d36bc-21c0-4898-99b8-c21737e732f8/Unknown.jpg</image:loc>
      <image:title>Deep Dives - Bard College</image:title>
      <image:caption>We also watched this fantastic production of Much Ado, filmed live at the Globe Theatre in London, in 2012.</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj-xbfjy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-15</lastmod>
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      <image:title>Deep Dives - The Sticks of Thales</image:title>
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      <image:title>Deep Dives - The Sticks of Thales</image:title>
      <image:caption>Ian's timeline of the thinkers we studied today: Thales of Miletus; Euclid of Alexandra, who codified the geometry Thales helped discover; Eratosthenes of Cyrene, who like Thales solved problems of measurement using only sticks and shadows and a penetrating mind, determining, for instance, the shape and circumference of the Earth; American poet Edna St. Vincent Millay of Maine, who, inspired by her study of science at Vassar College, wrote a timeless sonnet about the genius of Euclid, his ability to see the eternal forms of things within the daily shapes we know; Carl Sagan of Brooklyn, New York, whose video we watched in order to understand Eratosthenes’ achievement; and then, in our own time, Laura Fargas of Washington D.C., who in her poem "October-struck," reminds us that in fall our vision can expand to see more, see, for instance, the structural shapes of trees more clearly--see more of what we love, and thus can come to love it more.</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj-xbfjy-yt7h4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-15</lastmod>
    <image:image>
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      <image:title>Deep Dives - The Design Principles of Poetry</image:title>
      <image:caption>First, each of us wrote out Chaucer’s opening lines from The Canterbury Tales; each Star-Splitter then identified and highlighted a figure of speech or other design element within the text. Then we invented a walking renga, with each Star-Splitter creating a three-line haiku or a two-line waki in their respective sidewalk squares.</image:caption>
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      <image:title>Deep Dives - The Design Principles of Poetry</image:title>
      <image:caption>It's fun to grade papers when you have great students. Here are some answers to a question from our Design Principles of Poetry deep-dive, which asked students to create a poem using both enjambed and end-stopped lines.</image:caption>
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      <image:title>Deep Dives - The Design Principles of Poetry</image:title>
      <image:caption>"Quintet that doubles as an acrostic"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/5739d6eb-cc18-424b-a23f-01781e4a06e7/6.jpg</image:loc>
      <image:title>Deep Dives - The Design Principles of Poetry</image:title>
      <image:caption>After writing some lines of poetry that demonstrated their understanding of metrical feet, including the establishment of a prevailing foot and the use of substitutions, Oliver decided to add a pie graph of their choices!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1655304158376-H3HXLJTK2EVH9QBU4BR3/tempImageOfxnks.jpg</image:loc>
      <image:title>Deep Dives - The Design Principles of Poetry</image:title>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj-xbfjy-yt7h4-y2ja4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f74c1462-9ac9-4c6e-a0e0-1c3d55822f21/1.jpg</image:loc>
      <image:title>Deep Dives - Ancient Tools of Mathematics and Physics</image:title>
      <image:caption>After The Star-Splitters read Beowulf last October, they embodied their understanding of implicit and explicit textual evidence by making models or drawings of the fearsome monster Grendel. Henry said his Grendel was as tall as a telephone pole. How tall is that, we wondered. This week, we've been studying the scientific minds and experiments of Thales and Eratosthenes, the ways in which these ancient liberal artists took the Earth's measure by using simple tools (sticks, light, shadow), a rigorous curiosity, and a keen understanding of geometry. Today, we discovered the height of Henry's Grendel--roughly 25 feet!--, using our knowledge of triangles and tangents, angles of elevation and algebraic equations, and the inclinometers we made by hand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/fcf6fbac-5979-445b-8958-9749ae50362e/2.jpg</image:loc>
      <image:title>Deep Dives - Ancient Tools of Mathematics and Physics</image:title>
      <image:caption>After The Star-Splitters read Beowulf last October, they embodied their understanding of implicit and explicit textual evidence by making models or drawings of the fearsome monster Grendel. Henry said his Grendel was as tall as a telephone pole. How tall is that, we wondered. This week, we've been studying the scientific minds and experiments of Thales and Eratosthenes, the ways in which these ancient liberal artists took the Earth's measure by using simple tools (sticks, light, shadow), a rigorous curiosity, and a keen understanding of geometry. Today, we discovered the height of Henry's Grendel--roughly 25 feet!--, using our knowledge of triangles and tangents, angles of elevation and algebraic equations, and the inclinometers we made by hand.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1caa1f7c-552f-4793-942d-b9ceedba8f33/3.jpg</image:loc>
      <image:title>Deep Dives - Ancient Tools of Mathematics and Physics</image:title>
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      <image:title>Deep Dives - Ancient Tools of Mathematics and Physics</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/23fbd607-5daf-431c-b36c-0dc3af85099e/1.jpg</image:loc>
      <image:title>Deep Dives - Ancient Tools of Mathematics and Physics</image:title>
      <image:caption>As we continued our study of triangles and tangents to help us understand the minds of Thales and Eratosthenes, we decided to invent our own angle of elevation problems. Here are a few wonderfully mathematical stories.</image:caption>
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      <image:title>Deep Dives - Ancient Tools of Mathematics and Physics</image:title>
      <image:caption>From Abby's final exam, exemplifying The Star-Splitter Academy's emphasis on creating clear pictures of concepts we cover.</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj-xbfjy-yt7h4-gwprt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-16</lastmod>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Design and Build Week)</image:title>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Design and Build Week)</image:title>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Design and Build Week)</image:title>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Design and Build Week)</image:title>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Design and Build Week)</image:title>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Design and Build Week)</image:title>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Design and Build Week)</image:title>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-9xdpj-xbfjy-yt7h4-gwprt-tfm5t</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-16</lastmod>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Project Demonstration Week)</image:title>
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      <image:title>Deep Dives - Rube Goldberg Variations: Applied Physics (Project Demonstration Week)</image:title>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-syjzr-lw2tb-3m8cx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-27</lastmod>
  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh-n97hb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-31</lastmod>
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      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>The Star-Splitters demonstrated their understanding of Boolean logic--including if/else variable statements--by creating their own 80s-style text- based adventure games. From a detective story in which the gumshoe must outwit giant logic gates to a classic escape-the-castle adventure to an intricately crafted tale in which the player's point of view changes depending on the choices they make, the games the students created are wonderful expressions of their students' abilities to blend analysis and creativity--a hallmark of a Star-Splitter education.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6e33de45-d915-4ed8-824d-6b64d9e4e1e9/308496273_153550130646173_2628316996939244127_n.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>To create their games, the students mapped out the decision nodes of their adventures, wrote the story's text, then coded the game in BASIC so as to keep the students as close as possible to the circuitry they've been learning about. As co-teacher Mr. Ewy explains, "What I like about BASIC is how each sequential line of code can be compared to an assembly language instruction (even though it probably represents several actual instructions). It's closer to what's happening in the microprocessor."</image:caption>
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      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>Oliver created a new logic gate for the improv-loving Star-Splitter Academy: the YES AND gate, which honors any input and adds to it meaningfully.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/1f1b2b9f-e6c2-4deb-bcc5-73b6eed61d9b/Boolean+Yoda.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>Surely the time for translating Yoda into a Boolean expression is now, right? That's what we decided, anyway! Here's "Do or not do; there is no try."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/988ecd41-bcf3-49b7-b556-fa49cdec74c1/306156954_152384654096054_8014434719397453389_n.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>At the Star-Splitter Academy, we take silliness seriously: comedy clarifies and connects. To wit: Oliver's new meme!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6d6f938f-781e-4f18-8741-572b26bbe8a8/306672294_152460914088428_6886382987036645615_n.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>oday is the birthday of Joel Ewy, our expert collaborator / co-teacher for the Gates of Logic deep dive. In honor of the occasion, Oliver wrote an interactive program for him in BASIC on Mr. Ewy's Apple IIe. Then we all did our traditional Star-Splitter Birthday Spiral of Virtues, in which we play "Happy Birthday" on our kazoos then go around the room in a spiral pattern, with each person turning to the person we are celebrating and telling them something they value about them. What a joy it was to hear our young Star-Splitters celebrate Mr. Ewy. "I've learned so much from you--about 3D Printing, about computers--in such a short amount of time," said one student. "I am able to understand what had just seemed magical." "I greatly enjoy your classes," said another Star-Splitter. "I appreciate the way you show us many ways of seeing things." "You are kind." "You know what to do." "You help us figure things out." "You have a way of rewording things that is clarifying." "I like your jokes."</image:caption>
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      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>On Tuesday, we continued to create logic gates with breadboard circuits, then worked on logic gate story problems and how to convert logic gate circuits into expressions of Boolean algebra. Then Finn placed his MacBook Pro on top of the 1983 Apple IIe at the front of the room (creating a stack of circuits that spanned nearly forty years), and using an Apple IIe emulator, downloaded the binary tones that Radiohead secretly encoded on the cassette reissue of OK Computer, and ran the hidden program.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4cd2eb9e-2f4d-4c48-ad04-0f15ff8b5965/breadboard2.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>On Tuesday, we continued to create logic gates with breadboard circuits, then worked on logic gate story problems and how to convert logic gate circuits into expressions of Boolean algebra. Then Finn placed his MacBook Pro on top of the 1983 Apple IIe at the front of the room (creating a stack of circuits that spanned nearly forty years), and using an Apple IIe emulator, downloaded the binary tones that Radiohead secretly encoded on the cassette reissue of OK Computer, and ran the hidden program.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/dd9464ae-24dc-46d9-affd-1f859a500736/breadboard3.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>On Tuesday, we continued to create logic gates with breadboard circuits, then worked on logic gate story problems and how to convert logic gate circuits into expressions of Boolean algebra. Then Finn placed his MacBook Pro on top of the 1983 Apple IIe at the front of the room (creating a stack of circuits that spanned nearly forty years), and using an Apple IIe emulator, downloaded the binary tones that Radiohead secretly encoded on the cassette reissue of OK Computer, and ran the hidden program.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6cbf3d63-ef58-43a9-aa02-e40817e999ff/new.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>"I've got resistors on my fingers!" Today the Star-Splitters turned from an abstract understanding of logic gates to a concrete making of those gates using solderless breadboards, batteries, wires, resistors, transistors, momentary switches, and LEDs. The students learned how each of those electronic elements works, as well as the difference between volts, amps, and ohms; Ohm's Law, anodes and cathodes, and much more, courtesy of co-teacher Joel Ewy. We learned, for instance, how resistors are coded via bands of color to indicate their value in Ohms. After Mr. Ewy placed his multi-meter on his finger to test how much resistance his skin provides (5.7 megaohms!), we decided to demonstrate our understanding of the color-coding system using our own digits as resistors.</image:caption>
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      <image:caption>Green / Violet / Green = 5.7 megaohms!</image:caption>
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      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>Mr. Ewy, explaining the elements of an LED and how it works. Edit Like Comment Share</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/e4e1f8d9-b805-4dc4-bfec-6f4920cc7d78/new6.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>Lydia shared with us on our Google classroom an excerpt from a Squirrel Girl comic she had read this summer, which tied into our study.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/9db53264-f147-4729-8aab-ce28a3e64ac4/Jensen+light.jpeg</image:loc>
      <image:title>Deep Dives - The Gates of Logic: Digital and Sentential Logic</image:title>
      <image:caption>Mr. Jensen! Last week, after Star-Splitter parent Michael Jensen installed a new LED for the light outside our schoolhouse, we decided to draw the schematic for the series of Boolean logic gates that likely were at play in the circuits that allowed the light to come on when the photocell sensor indicated darkness (0) and the light switch was on (1).</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh-n97hb-9dxmj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-27</lastmod>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
      <image:caption>On Thursday morning, award-winning poet and teacher Jeanine Hathaway delivered the inaugural talk for The Star-Splitter Academy’s school year. (A link to a pdf of the talk is in the comments section below.) In previous years, Jeanine has spoken to us about Joan of Arc, rhinos, kaleidoscopes, cephalopods, sound as touch, illuminated manuscripts, and the act of pilgrimage. This year, she contemplated transitions, in a talk entitled "Mind the Gap," which was followed by a conversation with the students. *** Jeanine Hathaway currently enjoys Professor emerita status from Wichita State University, having taught creative writing and literature there. She was a poetry mentor in Seattle Pacific University’s MFA Program. Hathaway is the author of the autobiographical novel Motherhouse (1992), the 2001 Vassar Miller Poetry Prize-winning The Self as Constellation (2002), and a chapbook, The Ex-Nun Poems (2011). Her most recent collection of poetry is Long After Lauds, published in 2020 by Slant Books.</image:caption>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
      <image:caption>"Expanded curiosity is so expansive that our sense of time and space dilate." If you ever want to inspire a group of bright young people, invite the consummate liberal artist Jeanine Hathaway to your school. For the eighth consecutive year, award-winning poet and teacher Jeanine Hathaway has delivered our inaugural talk of the year. Jeanine has spoken to us about Joan of Arc, rhinos, kaleidoscopes, cephalopods, sound as touch, illuminated manuscripts, and the act of pilgrimage. This year, she contemplated transitions in a talk entitled "Mind the Gap," which was followed by a conversation with the students. “Every good story begins in medias res," Jeanine reminded us. "There’s the part that’s Over. There’s the part that’s Next. In the middle gapes a gap. 'Mind the gap' because the gap is the Now. The more we mind it, give attention—surrender—to the Now, the greater it seems to swell. The greater it seems imaginatively as we attend to what’s possible, perhaps especially to what’s improbable.” Thank you, Jeanine, for helping the Star-Splitters attend to possibility!</image:caption>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
      <image:caption>Today the Star-Splitters improvised a Ted talk on a very important topic. (The TED-talk game involved all the students creating a single, informative talk. Each student is presented with a random image on the screen, which they have to immediately incorporate into the talk's main theme, after first summarizing all of the previous points that have been made by other students. The game exercises the skills of active listening, connecting parts to a unified whole, and how to form summaries of information.)</image:caption>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
      <image:caption>Our first-of-the-year class photo! Each Star-Splitter is posed as an iconic representation of their part of the thirteen-part Ted talk we improvised during orientation week (the subject: How to Survive a Squirrel Attack). (In the TED-talk improv game, students create a single, informative talk. Each Star-Splitter is presented with a random image on the screen, which they have to immediately incorporate into the talk's main theme, after first summarizing all of the previous points that have been made by other students. The game exercises the skills of active listening, connecting parts to a unified whole, and how to form summaries of information.)</image:caption>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
      <image:caption>Opening Day at the Star-Splitter Academy We read Iris Murdoch, who reminded us that love is the discovery of reality ("Love is the extremely difficult realization that something other than oneself is real.") Then we read the rules for discourse put forth by peace studies professor Anatol Rapoport, the first of which is to restate another's opinion so clearly that they recognize themselves within it. And then we put those ideas into practice: we played improv games, a foundational activity of our school. By following the rules of play, improvisers learn how to seek common ground, even as they learn to more actively listen to others, and to feel the generative force of failure. On their best days, improvisers inhabit a space where “yes and” keeps the work of living in common; keeps everyone listening; keeps conversation exploratory rather than gladiatorial; in such a space, patterns of meaning are joyfully sought and “mistakes” considered precious gifts.</image:caption>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/6f45c053-4380-4395-b2e6-1a67fd68a93f/301605390_149524497715403_3227500748204048499_n.jpeg</image:loc>
      <image:title>Deep Dives - Orientation 2022-2023</image:title>
      <image:caption>This morning we read the wondrous essay that gave our school its motto ("I've an eyeful of fishscale and star"): "Intricacy" by Annie Dillard, from A Pilgrim at Tinker Creek.</image:caption>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
      <image:caption>On Friday, parents and students embarked on our first annual Star-Splitter Academy Ad Astra Adventure, a start-of-the-year field trip in which, as with all our adventures, learning and wonder are one. This year, we traveled to the Kansas Cosmosphere, where we learned about the science that propels our exploration of space: we saw actual spacecraft, hardware, and spacesuits used in exploratory missions; a hands-on demonstration of rocketry presented in the style of Michael Faraday by a wonderful local music student named Jasper; then headed to the planetarium theatre, where we were immersed in the night sky--the visible constellations and deep-space nebulae and galaxies that can be seen in each season. When Orion, the constellation that figures prominently in the Frost poem that gives our school its name, emerged above us, our students couldn't help but cheer! Thank you, Kansas Cosmosphere, for being such great hosts!</image:caption>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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      <image:title>Deep Dives - Orientation 2022-2023</image:title>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-one-mb48j-syjzr-lw2tb-3m8cx-p5j5g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-27</lastmod>
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      <image:title>Deep Dives - "The Road Not Taken"</image:title>
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      <image:title>Deep Dives - "The Road Not Taken"</image:title>
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      <image:title>Deep Dives - "The Road Not Taken"</image:title>
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      <image:title>Deep Dives - "The Road Not Taken"</image:title>
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      <image:title>Deep Dives - "The Road Not Taken"</image:title>
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      <image:title>Deep Dives - "The Road Not Taken"</image:title>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh-n97hb-jcthm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-05</lastmod>
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      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>Our deep dive into writing and filmmaking culminated in the first annual Stardance Film Festival. Student filmmaking teams walked the red carpet, screened their five-minute movies for an audience of special guests, and took part in Q and A sessions. Madi then presented awards to members of the teams.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/31687bdf-d400-458f-95fc-c6021e3e2011/324624298_3380421962246436_3576173661412684237_n.jpeg</image:loc>
      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>On Thursday, as part of our deep-dive into visual storytelling, The Writers' Room, The Star-Splitters learned from Madi Coleman how to create complex characters through the use of conflicting character qualities; how to structure a narrative using the story circle structure found within stories from Gilgamesh to The Incredibles; how to create compelling dialogue; how filmic elements such as shot types and camera angles are utilized to create rhythm, tone, and meaning; and how scripts are translated to the screen. Madi applied these concepts to The Incredibles and to the pilot of Avatar: The Last Airbender.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/c4b4fe00-09b3-4edc-af3e-64d0e477eb04/324626989_1330875374127247_1322266530088691997_n.jpeg</image:loc>
      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>Then Madi led the Star-Splitters in a table read of Avatar's pilot script, so that they could see how those elements are conveyed in the text.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4bfafd56-ee77-441d-b116-88d25aa8e6e1/322128838_1008061543371149_2170835844785408650_n.jpeg</image:loc>
      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>On Friday, the Star-Splitters formed teams that developed pitches for original five-minute movies that incorporate the elements of visual storytelling that they'd learned from Madi on the previous two days: the creation of complex characters through competing characteristics, the use of the Dan Harmon story circle to structure their narratives, and the intentional use of filmic elements to help create tone, rhythm, and meaning (Dutch angles, low angles, first frame / last frame interaction, etc.) The teams created their pitches in Google slides, then delivered them to the class (and to Madi and Mr. Coleman, who were portraying studio executives of the Star-Splitter streaming service). Students not only exercised their composition skills (the pitch comprised a disguised three-point essay) but also gained further experience in public speaking. Everyone did a phenomenal job in all areas of the work--all projects were green-lit, allowing them to advance to the next stage of development: the writing of the first drafts of their scripts, which happened on Monday!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/72b5876c-faaa-49fb-9ae5-241aa6dfa545/321806076_904739250538959_7013360333803515940_n.jpeg</image:loc>
      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>Then Madi led the Star-Splitters in a table read of Avatar's pilot script, so that they could see how those elements are conveyed in the text.</image:caption>
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      <image:caption>Oliver played Zuko!</image:caption>
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      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>The Star-Splitters dressed in the colors of various benders!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/890e6339-deee-44d6-bb3f-0f6c79961789/324660392_841183450490855_2209238279544308185_n.jpeg</image:loc>
      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>After the table read, we watched the pilot episode, freeze-framing often to discuss how what we'd learned is evident in the pilot. Here, Chessie is demonstrating how a certain shot has been framed using the rule of thirds</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/bd4a6cb1-5fd7-4d63-b345-fc343abe9b48/324727289_881719929729523_5661570523950876544_n.jpeg</image:loc>
      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>After each team's pitch was green-lit, the students wrote their scripts, upon which they received notes from the studio execs (Madi Coleman and Mr. Coleman). The resulting revisions were printed on blue paper, the standard for shooting drafts. The films then went into production, with students serving in various roles for their classmates' films, including script supervisor, director of photography, and boom operator.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/4a77eb79-a821-4c7c-b89e-8a67e001f6f2/325612506_550720633778781_4927794914704384614_n.jpeg</image:loc>
      <image:title>Deep Dives - The Writers' Room: Visual Storytelling</image:title>
      <image:caption>Our deep dive into writing and filmmaking culminated in the first annual Stardance Film Festival. Student filmmaking teams walked the red carpet, screened their five-minute movies for an audience of special guests, and took part in Q and A sessions. Madi then presented awards to members of the teams.</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh-n97hb-jcthm-98c5y</loc>
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    <lastmod>2023-06-05</lastmod>
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      <image:title>Deep Dives - The Jazz Age: U.S. History in the 1920s</image:title>
      <image:caption>On the first day of November in 2023, we roared into the 1920's with the arrival of Mr. Spurgeon dressed in his glad rags behind the wheel of his his Model A Ford. For the next three weeks, the Star-Splitters dove deep into the Age of Play, the Jazz Age, the Roaring 20s, with expert collaborator Ken Spurgeon, an award-winning historian, author, and filmmaker. We thought it was the cat’s pajamas!</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh-n97hb-jcthm-clym9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-05</lastmod>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/2aef2069-3987-4896-9e51-ee40decb850c/Chessie--Rebecca+Stead.JPG</image:loc>
      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>Meet Ellen Raskin, author of When You Reach Me</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/bb48b601-b7ca-4061-95d1-df0c4cbd4bf8/Lydia--Shirley+Jackson.JPG</image:loc>
      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>Introducing Shirley Jackson, who has just completed her manuscript The Haunting of Hill House</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/5d96a7e8-81d0-4ed9-becd-2d8cf837a833/tempImageOfwOW9.png</image:loc>
      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>Welcome, ‎Antoine de Saint-Exupéry! We are eager to hear about your new book, The Little Prince</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>John Steinbeck joined us to discuss his new novella, Of Mice and Men</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>Oscar Wilde joined us to talk about their new book, The Picture of Dorian Gray</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>Welcome, Ellen Raskin, author of The Westing Game</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>A few slides from John Steinbeck's presentation</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>A few slides from Shirley Jackson's presentation on her new book.</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>Two slides from Oscar Wilde's presentation</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
      <image:caption>A few slides from Ellen Raskin's presentation</image:caption>
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      <image:title>Deep Dives - The Star-Splitter Salon</image:title>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh-n97hb-jcthm-drmcn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-24</lastmod>
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      <image:title>Deep Dives - Burns Brunch (2023)</image:title>
      <image:caption>A Toast to the Yeses (Juan, Tori, Lydia, Abby, Henry, and Evie), delivered by Tori The Ands’ Toast To The Yesses My fellow Splitters, improvisationaners, and wonderers, we raise our glasses to you, the Yeses. First, with Yesss, we can agree. We need Yeses to be social, and thus forgiving (as Robert Frost says!). We would not be able to improvise with one another: it would be a slur of “No, but”s. We could not exist without one another, for what is an “and” without a Yes? Like a yin without a yang, like a camera without a lens, like eyes without light, like a day without night, and like a teacher without an apple. Without you, we cannot. We need you, Yesses. Here’s to you. To the Yesses!</image:caption>
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      <image:title>Deep Dives - Burns Brunch (2023)</image:title>
      <image:caption>The Yeses Reply to the Ands (Hadley, Oliver, Aaron, and Chessie), delivered by Oliver A Toast to the Ands! (a reply to the Ands’ toast to the yeses) Let us acknowledge the virtues of And on this celebratory occasion, this sentimental supper, this flavorful feast. “And” goes beyond a conjunction. And is addition and innovation and creativity, and is an extension, and inclusion, and increasing, and adjoining. Without And we would be stuck in one state (a boring, stagnant, state.) Because of And, we have improv– but beyond improv, there are groups and families and countries, and communities. Because of And there are ideas, and solutions, and conclusions, and inspirations, and lists, and repetition, and repetition, and repetition, and… you get the point. And– on that note, where would “And” be without “ond” and “unda” and “endi” and “anda?” But– and excuse my betrayal of the one true conjunction, And– some believe they’re too good for And. And I find that quite silly and incorrect and unoriginal, and narrow-minded. The truth is, And is too marvelous, and too great, and too useful, and too quintessential to language and communication for those who believe themselves to be above And. Without And, we wouldn’t have beaches… Only snake sounds. And we wouldn’t have music… only bees. We wouldn’t have fingers… only HUH– which would probably be my reaction to not having my hands. But in all seriousness, who wants a meal with only one course? Who wants a movie without sound? Who wants Surf without Turf? Who wants night without moonlight? Who wants day without sunrays? Who wants a twinkie without cream? Who wants a language without innovation? Who wants a situation without evolution? Who wants to live without And? And on this celebratory occasion, this sentimental supper, this flavorful feast– We appreciate And. To And! [All: To And!]</image:caption>
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      <image:caption>Address to the Twinkie!</image:caption>
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      <image:title>Deep Dives - Burns Brunch (2023)</image:title>
      <image:caption>Evie reading her version of Robert Frost's "Fire and Ice": Burns and Frost! Burns and Frost (after Robert Frost) Some say the world begins with Burns Some say with Frost From what I know of verse entire I hold with those who favor Burns But if it could come to life twice I think I know enough of love To say that for construction Frost Is also great And would suffice.</image:caption>
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      <image:title>Deep Dives - Burns Brunch (2023)</image:title>
      <image:caption>One of the three readings of the Burns Brunch: "My Love is Like A Red, Red Rose," delivered by Abby</image:caption>
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      <image:title>Deep Dives - Burns Brunch (2023)</image:title>
      <image:caption>Henry delivering the Selkirk Grace</image:caption>
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      <image:title>Deep Dives - Burns Brunch (2023)</image:title>
      <image:caption>Happy Burns Brunch to all!</image:caption>
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  </url>
  <url>
    <loc>https://www.starsplitteracademy.com/deep-dives-1/project-two-g3cxc-wplp5-7g2rh-n97hb-jcthm-drmcn-g8wcp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-24</lastmod>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>Using an optometrist's phoropter as our central metaphor, The Star-Splitters learned how to look closely at a text (Macbeth) through a host of clarifying lenses in order to discover a wider range of meaning.From rhythm to imagery, figures of speech to symbolism, theories of comedy to the neuroscience of sleep, a range of cultural associations to a nexus of historical forces such as the Gunpowder Plot, each set of lenses allowed us to more fully inhabit the play's richly imagined emotional, intellectual, cultural, moral, and political landscapes.</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>Award-winning actors Darian Leatherman and Quinn Warren led us in a two-hour exploration of Shakespeare.</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/f90bb43e-9341-4e8a-9116-2169bdf9e63c/312564793_143017468474856_3625206702884027315_n.jpeg</image:loc>
      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>Award-winning actors Darian Leatherman and Quinn Warren led us in a two-hour exploration of Shakespeare.</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>Equity actor Brian Gunter joined us as well. He performed Macbeth's Act 1, scene 7 soliloquy ("If it were done when ’tis done, then ’twere well / It were done quickly"), deliberately physicalizing every action conveyed by the language's imagery so that we could better see the character's struggle. He spoke of the actor's constant work to find their way to truth in performance, moments of true connection to the material. He then talked about the importance of memorizing poetry, then recited Poe's "The Raven" and taught us "To Make a Prairie" by Emily Dickinson (a work Hadley then animated—see below).</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>Brian Gunter has been an actor for over twenty-five years, performing with many regional theatres across the country, including Seattle Rep, Portland Center Stage, Cincinnati Playhouse-in-the-Park, Stages Repertory in Houston, the Alliance Theatre in Atlanta, Florida Studio Theatre, Berkeley Rep, San Jose Rep, the Goodspeed Opera House in Connecticut and Northlight Theatre in Chicago. He has also performed in Europe with Vienna's English Theatre, touring in Austria, Italy, and the Czech Republic. Currently living in Seattle, he was raised in Kansas and holds a BA in theatre from Wichita State University and an MA in theatre from Northwestern University.</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>Right after we read Act 2, Scene 1 of Macbeth, Oliver decided to make a meme.</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629c3939c5c83923d705592a/e887ee43-ba9d-455f-bcd4-514f6f318990/346989745_984969906016066_2666819966567787003_n.jpeg</image:loc>
      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>For part of his graduate project, Henry combined what he'd learned in this Shakespeare deep-dive with what he'd learned in our filmmaking class by choosing four pivotal moments in Macbeth and showing how camera angles (low-angle, Dutch angle, etc.) can help reveal those moments' power dynamics and the characters' emotional states</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>We read Macbeth in October. On Halloween, the Star-Splitters donned costumes and sat around the “fire” to listen to three classic tales of humor and horror read by Sanda Moore Coleman: M.R. James's "A School Story," Saki's "Tobermory," and H.H. Jacobs's "The Monkey's Paw."</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
      <image:caption>We then had a delightful discussion about the themes and implications of the stories. As the conversation unfolded, I was struck by how the day displayed the Star-Splitter ethos of blending creativity, joy, analysis, and connectivity: Where else, I thought to myself, but during a Star-Splitter Halloween costume day could I hear The Once-ler from The Lorax insightfully question the merits of Pierre-Simon Laplace's 1814 thought experiment about determinism and free will, or listen to a turkey vulture that works for the sanitation department point out the influences of Hindu culture on a classic American short story?</image:caption>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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      <image:title>Deep Dives - Shakespeare's Phoropter: Seeing Macbeth</image:title>
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    <lastmod>2023-07-15</lastmod>
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      <image:title>Art and Movement - Art and Movement meets every Friday morning. Click on the portfolios below to see the amazing work the class has been doing all year.</image:title>
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      <image:title>Art and Movement - Plein Air Painting / Winter Art Show</image:title>
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      <image:title>Art and Movement - Plein Air Painting / Winter Art Show</image:title>
      <image:caption>Aaron: "While I was drawing, I was thinking of how I would design this in SCAD!" (Open-Source Computer Aided Design program)</image:caption>
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      <image:title>Art and Movement - Plein Air Painting / Winter Art Show</image:title>
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      <image:title>Art and Movement - Plein Air Painting / Winter Art Show</image:title>
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    <lastmod>2022-06-13</lastmod>
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      <image:title>Art and Movement - Collage</image:title>
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      <image:title>Art and Movement - Collage</image:title>
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      <image:title>Art and Movement - Summer Art Show 2022</image:title>
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  <url>
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      <image:title>Madi Coleman - Project Two</image:title>
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    <lastmod>2022-05-31</lastmod>
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